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THE BEEKEEPER’S PUPIL

Thoughtful, beautifully written, and wonderfully tender toward its appealing characters: another impressive achievement for...

The author of The Journal of Mrs. Pepys (1999) again offers a vividly wrought fictional memoir by the unsung amanuensis of a real-life figure.

François Burnens goes to work in the summer of 1785 for M. François Huber, a gentleman living outside Geneva. Monsieur, as Burnens refers to him, has been blind since he was 19; he hires François to assist him in his study of bees, as well as such mundane tasks as shaving. Spanning ten years, Burnens’s leisurely first-person narrative reveals its author as an intelligent, observant youth and his employer as a warmhearted, reflective man who has forged the agony of affliction into hard-won serenity. We see through Burnens’s eyes that the Hubers’ profoundly loving marriage has its frustrations for the blind man’s wife; occasional lapses when the manservant forgets himself and refers to Madame as Marie-Aimée reveal an increasingly insistent attraction between them. There’s no melodrama, however, only the delicately described relations of decent people striving for fulfillment within the bounds of duty and honor. The Hubers’ other servants and their son Pierre are as fully imagined as the three principals, and the two men’s work with bees is as fascinating as the household interactions. George subtly uses their scientific efforts to show Monsieur imparting life lessons about patience and meticulousness to the young manservant, promoted to secretary after his careful reflections prove as invaluable as his eyes. “God bless your vision, Burnens,” Monsieur exclaims when they make a crucial discovery about how the queen bee mates. “Mine is only the sight, sir,” he replies, “yours is the vision.” Yet over the years Burnens’s sentiments of affection and obligation are challenged by a growing desire to find work, a wife, and a home of his own. The time comes for him to leave, with Monsieur’s gracious yet sorrowful blessing. It’s a mark of how sensitively George has shaped her tale that this inevitable denouement leaves us both saddened and exultant.

Thoughtful, beautifully written, and wonderfully tender toward its appealing characters: another impressive achievement for George.

Pub Date: Sept. 15, 2003

ISBN: 0-7472-7041-4

Page Count: 314

Publisher: Headline

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2003

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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