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TREASURE ISLAND!!!

This novel might have something to say about gender roles, the relationship between literature and life or other standard...

A subversive and often funny exercise in style, voice in particular, with a narrator who pushes unreliability to an extreme.

Hollywood might call this novel “high concept,” with a premise that is as simple as it is outlandish. A 25-year-old woman with no apparent ambition or direction (but with attitude to burn) finds the inspiration that her life has been lacking in an adventure novel typically read (if read at all) by much younger boys. Why Treasure Island?Why not? For the unnamed narrator of this debut novel, the book forces her to confront the essential challenge of her existence: “How can I become a hero of my own life?” It also provides her with what she perceives to be its core values: “BOLDNESS. RESOLUTION. INDEPENDENCE. HORN-BLOWING.” Her attempts to incorporate each of these values into her daily living (the horn-blowing is a bit of a stretch) quickly cost her the latest in her series of dead-end jobs, a boyfriend who is more responsible than she but no more ambitious, a best friend whose loyalty seems suspect, a therapist she can no longer afford to pay and whatever trust remains with her very different sister. But at least she gains a parrot in the process, though the bird proves to be more trouble than the narrator feels that it is worth. Though this is a short novel, and a pretty slight one, the complications compound and narrative momentum accelerates once the unemployed protagonist moves back home, with her parrot, her novel and her conviction that Treasure Islandremains the key to whatever purpose her life has. Soon enough, she has made the lives of every member of her family as dysfunctional as her own. 

This novel might have something to say about gender roles, the relationship between literature and life or other standard themes, but mainly it’s just a hoot.

Pub Date: Dec. 27, 2011

ISBN: 978-1-609-45061-8

Page Count: 176

Publisher: Europa Editions

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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