Jolly ho-down spoiled by sermonizing.

HOW PERFECT IS THAT

Addled Texas socialite hits rock bottom.

When Blythe Young marries big Texas money, she thinks she’s set for life. As Mrs. Trey Biggs-Dix, Blythe can say adios to her blue-collar childhood. She quickly adapts to her new lavish life and learns to hold her own with the big-haired, big spending social X-rays in her universe. Just as Blythe’s getting comfortable in her Jimmy Choo shoes and Ralph Rucci satin suits, her mother-in-law sets the wheels in motion to excommunicate Blythe from the esteemed Biggs-Dix clan. When it’s all over, she is left penniless, dependent on drugs and booze with nary a friend. Blythe knows she’s really hit the depths when she’s reduced to calling on her old college chum, Millie, for help. Despite being left in the dust when Blythe was enjoying the high life, Millie happily welcomes Blythe into her modest home. Millie resides just where Blythe left her—back in a shoddy University of Texas house filled with outcasts. Millie now runs the ramshackle abode—it serves as home base for Millie’s philanthropic operations and personal ministries. This Good Samaritan refuses to listen to those around her telling her that Blythe is nothing but trouble. Sure enough, she embroils the house in one scandal after the next. Blythe’s outrageously selfish behavior may cost Millie and her housemates their home. To put things right, Blythe’s going to have to pull off her biggest scam yet. Bird (The Flamenco Academy, 2006, etc.) delivers big laughs with her spot-on examination of Texas’s high falutin’ ladies; reading about Blythe’s antics is pure, wicked fun. Sadly, this naughty treat turns mushy sweet when Bird begins to moralize. The righteous ending is unexpected—and tough to accept in a book otherwise devoted to camp and cattiness.

Jolly ho-down spoiled by sermonizing.

Pub Date: June 12, 2008

ISBN: 978-0-307-26828-0

Page Count: 320

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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