Few surprises, but a solid contemporary romance nonetheless.


Duncan’s amiable follow-up to Adultery for Beginners (2005) pairs the tribulations of modern love with the far less titillating world of historic British gardens.

A historian specializing in English landscape, Dr. Anna Carmichael lectures, gives tours and researches private gardens. Old Mrs. Davenport hires Anna to investigate the ruined grounds of her beloved estate, Templecombe, hoping she will be able to find something unusual so that grants can be obtained to restore the garden. On her first day at Templecombe, Anna meets the two men who will occupy the next year of her life: rugged gardener and handyman Will Sutton; and Oliver Davenport, charming young heir to the estate. Although Anna feels an immediate affinity with Will, Oliver sweeps her off her feet and plunges her into his posh London world of designer boutiques, chic restaurants, club openings and cocaine-fueled weekends. Though her friends start to worry about her, Anna is thrilled with her transformation into the shiny, champagne-swigging girlfriend of one of London’s most eligible bachelors. (Readers may briefly wonder, however, why two hunks are so taken with this stuffy historian.) Meanwhile, her work is suffering, her debt is rising and her report to Mrs. Davenport is her shoddiest work to date. Oliver is suspiciously dismissive about Anna’s investigation of the garden, but with black-tie affairs and a trip to Prague planned, she decides to agree with him that the evidence for Templecombe as a historic find is slim and not worth pursuing. This angers Will, who sees Oliver for the spoiled brat he is . . . but who is Will? The dashing romantic who treats Anna to a dreamy, chaste evening in the garden also admits to being a murderer—so much for the perfect man. Anna figures it all out by end, but along the way are tedious descriptions of gardens coupled with a not-very-convincing personal journey from divorced academic to free spirit.

Few surprises, but a solid contemporary romance nonetheless.

Pub Date: March 6, 2007

ISBN: 0-312-36287-0

Page Count: 320

Publisher: St. Martin's Griffin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2007

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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

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The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...


An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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