Dunn’s dryly humorous story about a marriage that goes dangerously off-road never loses its groove.
This novel about a couple that agrees to have an open marriage, for a limited time only and while adhering to certain rules, is a polished, amusing, and highly entertaining take on modern relationships, parenthood, and suburbia.
When Owen and Lucy—an attractive young married couple who, shortly after their on-the-spectrum 5-year-old son, Wyatt, was born, swapped their hip New York City existence for life in a small, “pretty Norman Rockwell-y” Hudson Valley town—first hear, one boozy night, about Brooklyn friends’ plan to allow each other to have sex with other people, they are scandalized. But soon, they find themselves drawing up a set of rules spelling out for themselves a similar arrangement, a finite period of infidelity, a six-month marital “rumspringa,” Owen calls it: no falling in love, no talking about it or snooping, no sex with anyone in their crowd, no looking too happy, and definitely no leaving. “We’re joking about this, right?” Owen asks. “Yes, we’re joking,” says Lucy. But then, it turns out, no, they aren’t. What follows is a superfun, pleasingly light romp through the promise and pitfalls of marital infidelity, the trials and rewards of parenting, and the joys and frustrations of life in an upscale small town for the transplanted urban couple. The premise may sound contrived, its subject matter trite and fluffy, and its characters overly stereotypical, and it likely would be in less able hands. But Dunn, an accomplished TV writer and producer (Murphy Brown, Spin City, Bunheads, American Housewife) who has written two previous novels (The Big Love, 2004, and Secrets to Happiness, 2009), is a total pro—and the book is smartly conceived, sharply written, perfectly paced, and, even at its most madcap moments, entirely believable and engaging. Despite Owen and Lucy’s self-made troubles, they are eminently sympathetic and disarmingly appealing, as are the parade of amusing supporting characters and plotlines. (More Sunny Bang, please!) Chick lit? Perhaps, but, witty and well-written, it’s the most satisfying sort—a true guilty pleasure.
Dunn’s dryly humorous story about a marriage that goes dangerously off-road never loses its groove.Pub Date: March 21, 2017
ISBN: 978-0-316-01359-8
Page Count: 368
Publisher: Little, Brown
Review Posted Online: Dec. 26, 2016
Kirkus Reviews Issue: Jan. 15, 2017
BOOK REVIEW
BOOK REVIEW
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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