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GROSSE POINTE GIRL

TALES FROM A SUBURBAN ADOLESCENCE

A dispiriting reminder that youth is wasted on the young.

First-novelist McCandless revisits—in loosely connected chapters—the cringe-making years of adolescent missteps and mistakes.

Narrator and Everygirl Emma Harris is about to enter sixth grade the summer her family move up from an apartment to a house in tony Grosse Pointe, Michigan. She’s soon best friends with neighbor Katrina, also a rising sixth grader. Katrina introduces her to the local landmarks—the department store, the ice-cream shop, and the drugstore—and helps her choose school clothes at the mall. The two are inseparable, but nothing lasts, especially in adolescence, and these tales are darker and more elegiac than the bouncy prose suggests. As Emma describes adjusting to middle school, being mortified by a popular boy, getting her first bra (embarrassingly ahead of the other girls) and her first period, her parents separate. Her father moves out; she and her mother have to find an apartment. Her friendship with Katrina, now more difficult to keep up, ruptures when a group of girls make insinuations about Katrina, and Emma, wanting to be popular, begins to ignore her. High school offers more challenges. Emma is attracted to Brian but insists on being friends because she fears losing those she loves. She loses her virginity to another boy. Emma and her friends go to parties where they drink too much and cross the river to nearby Canada with false IDs so they can drink in bars. A classmate commits suicide when rejected by Yale. The inevitable prom trauma—finding the dress and the date are equal chores—is followed by the almost anticlimactic graduation. At a reunion ten years later, Emma is drinking hard and Billy is still single. The drawings by comic-book illustrator Christine Norrie underline the numbingly familiar nature of these experiences; combined with McCandless’s shallow insights, they suggest the book would be more appropriately marketed as a YA title.

A dispiriting reminder that youth is wasted on the young.

Pub Date: June 1, 2004

ISBN: 0-7432-5612-3

Page Count: 192

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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