An uneven if intermittently distinguished gathering of one essay and 15 stories (all but two original), each related to the theme of the title, from editors LeFanu and Hayward (the anthologies God, 1993, and Colors of a New Day, 1990). If juicy rationalizations get people through the day, then obsessions seem to get them through life's rough patches. Interestingly, it's the more limber, less brittle American voices here that contribute most memorably. Joyce Carol Oates's ``Life After High School'' establishes a shadowy, awkward romantic triangle whose third leg remains veiled until the epilogue. And Allan Gurganus's essay, ``Ode to Boy (Whitman at the Mall),'' has more fun with its voyeuristic survey of adolescent culture than the film Kids ever will. Meanwhile, Ivan Vladislavic's ``The Book Lover'' sends an eccentric South African bibliophile in search of the library of a woman he's fallen for entirely through the books he knows she once had. In Mary Flanagan's ``Folding,'' origami saves a group of art-school friends from their romantic confusion. ``The Anxieties of Desire,'' from James Hamilton-Paterson, follows the failed career of a French expatriate composer as he envies and loathes, with considerable anti-Semitism, the success of another, younger composer who shares his name. A few of the tales (Jeff Torrington's ``The Fade''; Adam Thorpe's ``Rigging'') suffer from English dialects that don't always ring intelligibly in American ears. Still, several minor pleasures lurk here and there. Lisa Tuttle tells a sexual ghost story (``In Jealousy''), and Ursule Molinaro completely inverts the terms of beauty in ``Rat Mother,'' one of those stories that gets funnier as it gains in grimness. Michäle Roberts's ``Lists'' is little more than an extended gimmick, but Cherry Wilder's ``Findings'' manages to wring ample suspense from a willfully limited premise. Not completely enthralling, but worth picking up for the four or five good pieces.
Pub Date: Oct. 1, 1995
ISBN: 1-85242-359-5
Page Count: 192
Publisher: Serpent’s Tail
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 1995
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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