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THESE GIRLS

An entertaining but not very memorable take on modern love and life in the Big Apple.

Pekkanen’s (Skipping a Beat, 2011, etc.)  latest showcases her penchant for exploring relationships wrapped in big-city trappings.

Cate, the features editor for a big-time New York–based women’s magazine called Gloss, and Renee, an associate editor at the same publication, share an apartment the size of a postage stamp with oft-absent model Naomi. When Naomi ditches the pair, hunky writer Trey asks if his seriously damaged younger sister, Abby, can move into Naomi’s room while he’s on the road. Trey, who picks up National Magazine Awards as casually as after-dinner mints, happens to be the hottest thing around, both professionally and as dating material. Renee had an awkward couple of dates with Trey and nurses the hope that she will one day win him over. In the meantime, she’s trying hard to win the position of beauty editor at Gloss but is pitted against two others for the promotion. Determined to bag the job, Renee starts taking the diet pills that Naomi left behind in an attempt to lose weight, while Cate struggles with trying to prove her mettle in the magazine business to a lecherous and demanding boss. All three women harbor secrets that could bring them public humiliation and/or turn their worlds upside down, and Pekkanen’s story traces the ways in which the three work toward making themselves whole while forging a friendship that will outlast disappointments in life and love. A bit heavy on clichés and coincidences, this is a breezy but uninvolving read that revolves around an industry rife with job insecurity. Pekkanen peppers the book with celebrity names and pop-culture references and loads down her prose with unnecessarily detailed descriptions of the characters’ hair, clothes and makeup, but she redeems herself with an unexpected ending. Good fun overall, though the speed at which the female characters bond rings false.

An entertaining but not very memorable take on modern love and life in the Big Apple.

Pub Date: April 10, 2012

ISBN: 978-1-4516-1254-7

Page Count: 352

Publisher: Washington Square/Pocket

Review Posted Online: April 1, 2012

Kirkus Reviews Issue: April 15, 2012

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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