A sexy suspense novel despite some loose plot threads.
A traumatized Toronto heiress experiences new dangers and first love with a mysterious, covert operative in this debut romantic thriller.
In a prologue, Maddison Brooks muses upon being held captive seven years ago, after she startled a burglar who was likely after her green diamond Fabergé egg. After a shadowy figure freed her, she was put under psychiatric care by her rich Toronto businessman father and has since been plagued by visions that cause bleeding wounds on her body. In the present day, 22-year-old Maddison is on her way to meet her visiting older sister at a Toronto restaurant. Matthew Stoke, who’s getting ready for a covert assignment, spots Maddison, is struck by her beauty, and is shocked to learn her identity as the woman he once rescued. The couple has a brief yet powerful encounter, and Maddison is dazzled by his “money green” eyes. That night, she awakens to find Matthew in her house, and he saves her from arriving murderous thugs. He brings her to his home, where he witnesses one of her bleeding episodes. She loses her virginity to him, and the couple enjoys multiple bouts of mind-blowing sex. They also investigate the thugs, although Maddison chafes under Matthew’s protection, which includes security teams and surveillance. A blowout birthday party for Maddison’s father at the Metropolitan Museum of Art becomes the setting for a final, violent showdown. Author Brade turns up the heat in this first installment of a planned series, which includes many racy descriptions of the leading couple’s sexual fireworks, such as spanking and other love play (“He spanked me again, softer than before, but this time hungrier, his intensity stronger”). However, the book doesn’t fully explain the mystery of the missing egg, which takes a back seat to the romantic interludes, although the author may intend to connect the dots further in a follow-up. Overall, though, this is a rollicking, intriguing start.
A sexy suspense novel despite some loose plot threads.Pub Date: Nov. 17, 2015
ISBN: 978-0-9934306-0-2
Page Count: 446
Publisher: CreateSpace
Review Posted Online: Nov. 24, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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