Next book

WATER HAZARD

Sexual debauchery and twisted identities reign in an intricately descriptive first novel, a thriller that reads like North by Northwest re-scripted by Joe Eszterhas and Franz Kafka. When sad-sack Anderson (no first name) agrees to help a lumbering barroom loudmouth make time with a couple of luscious coeds, he can't imagine that, only hours later, he'll be fighting for his life while his double, a man named Peterson, tries to drown him. Wet, dazed, and confused after killing his look-alike assailant, Anderson struggles back to Minnesota's Twin Cities, where he discovers that everyone thinks it's Anderson who has perished. Confronted with the denial of his ``true'' identity at every turn, Anderson flees into the awkward refuge of Peterson's personality. Not that it's the worst place to hide out: a genius multimillionaire with epicurean tastes and raunchy libidinal appetites, Peterson was in the dissertation-for-hire business: For an indefinite price, he would crank out a brilliant treatise in any discipline, sell the work to some mediocre scholar, and then blackmail the new professor into providing him with investment information or access to his wife. Briefly, Anderson gets into occupying Peterson's world, which features, among other perks, a sprawling apartment (complete with a Playboy mansion bedroom, wine cellar, and Jacuzzi) and a steady diet of saucy babes. Matters become thorny, however, after Shannon—Peterson's co-conspirator and preferred sackmate—appears, claiming that Anderson is really just a deluded Peterson. Dodging repeated attacks from a mysterious motorcyclist, Anderson combats his doubts while brooding over his increased comfort with Peterson's intellectually haughty and consummately horny existence. In desperation, he tracks down one of the well-endowed coeds who was an inadvertent accomplice to his original abduction, but nothing seems to be able to derail Peterson's master plan, which gradually develops an irresistible force. An immensely readable debut jammed with odd details, elaborate fight scenes, and loads of athletic, midwestern sex.

Pub Date: March 23, 1995

ISBN: 0-385-30606-7

Page Count: 405

Publisher: Delacorte

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 1995

Categories:
Next book

CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview