Tender, if a bit sugary; may strike a chord with male baby boomers.
A charming collection of vignettes detailing the antics of young Frank Wilcox and his friends as they make their way through primary and junior high school in fictional Acorn, Georgia, during the 1960s and’70s.
Vaughan’s (Brookwood Road, 2014) second novel covers the same years as his first, but whereas his earlier work told the story of Frank’s childhood on his grandfather’s hog farm, this volume focuses on his school experiences. As readers learn up front, Frank is a stand-in for Vaughan himself, and Acorn is in fact Cumming, Georgia. The quasi memoir is a portrait of midcentury small-town life at its most idyllic. The recollections are joyful, peopled with loving family, kindly teachers, helpful townsfolk, and loyal friends, especially his best bud, Charlie Keller. Frank is shy, hesitant in sports, and passionate about reading. Early on, he began writing short stories, and in seventh grade, he was urged to begin a school newspaper. Vaughan displays a similar gift for storytelling. He is articulate and engaging, able to insert an adult-looking-back chuckle here and there as he recollects the youngsters’ preoccupations and concerns. He is especially adept at portraying young Frank’s vulnerabilities—the fear of receiving a spanking at school or the terror of being vaccinated. He refused to learn how to swim until he was good and ready, seeing no reason to go into water above his head. The collection showcases good boys getting into mischief, usually getting caught, and rather gently being forgiven—with a life lesson or two learned along the way. Although the book proceeds sequentially through eight years, each chapter is a stand-alone. Occasionally this results in some repetition of background information, but it also makes it easy for readers to jump in and out of the book at will.
Tender, if a bit sugary; may strike a chord with male baby boomers.Pub Date: Nov. 11, 2016
ISBN: 978-1-5354-0501-0
Page Count: 348
Publisher: CreateSpace
Review Posted Online: Feb. 16, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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