Next book

THE ICE HARVEST

In showing what it’s really like on a cold night when God and Santa Claus are both watching, Phillips provides the perfect...

One thing’s for sure: This tale of a halfhearted embezzler struggling to escape from town (Wichita, Kansas) with his ill-gotten gains is not your average Christmas Eve story.

Charlie Arglist is a man of many talents. He used to practice law. He can still duck a speeding ticket without half trying. He has an eye for the ladies, and for strippers who don’t pretend to be ladies. And he runs the odd errand for Vic Cavanaugh, who’s been cooking the books on the operations he shares with Bill Gerard. Now that snow is blanketing the countryside, and joints like Tease-O-Rama and the Sweet Cage are empty except for customers scurrying home from Midnight Mass, Charlie plans to rendezvous with Vic and take off—just as soon as he’s made his last rounds of his old haunts, doling out holiday tips to Dusti, Francie, and Cupcake, leaving an indiscreet photo as an unsought Christmas gift to Sweet Cage manager Renata, and taking one last peek at the children who have no idea he’s leaving. Gradually, though, Charlie’s plans start to unravel. His brother-in-law ruins his getaway car. Vic isn’t waiting for Charlie at his house. Enforcers are on his trail. The weather is getting worse and worse. And that’s all before people start killing each other, with Charlie, sleepwalking through his abortive escape plans, watching numbly as the corpses pile up around him. First-timer Phillips, batting Charlie like a pinball from one flipper to the next and back again, commands a gorgeous array of tones from ribald comedy to sad-sack pathos to breathtakingly abrupt brutality, producing the shaggiest caper you’ve ever read.

In showing what it’s really like on a cold night when God and Santa Claus are both watching, Phillips provides the perfect corrective to all those treacly seasonal fables that get left under Christmas trees by the gross.

Pub Date: Oct. 31, 2000

ISBN: 0-345-44018-8

Page Count: 224

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview