by S.D. Moore ‧ RELEASE DATE: June 30, 2016
Nuance becomes a little lost in the mix of monsters and humans, but an unwavering pace promises unending entertainment.
An evil, hellish entity attacks a small town in Washington, creating minions and plotting the destruction of humankind in this horror yarn.
When pregnant Elizabeth Holly is abducted by crazy ex-reverend Old Man Wilson, her husband, John, and daughter, Julia, manage to save her and her infant son. But Julia fears it may have been more than a mere kidnapping when her new baby brother, Waed, sports “the face of evil”—a twisted expression, dark eyes, and a long, thin tongue. Later, a nurse, following what seem to be Waed’s telepathic instructions, cuts hearts from people’s chests and flees the hospital with the child. Waed rapidly grows into the Beast and assaults citizens in Autumntown, either killing or infecting them, slowly building an army of creatures at his command. The townsfolk, including detective partners Del Camron and Jack Richards, soon learn the Beast is the Dark One, the guardian of darkness, with aspirations for hell to reign on Earth. Not quite at full power, the Beast needs to consume three particular kinds of hearts. Del, Jack, and others arm themselves to battle tentacled creatures, eventually called Leapers, and hopefully find a way to kill the Beast. The novel certainly isn’t short on action, with a myriad of confrontations between humans and monsters, making it sometimes hard to keep up with the scores of characters filling the pages. Moore (The Adventures of PJ and Split Pea Vol. II, 2010, etc.) wisely names a few of the more formidable Leapers, like Dairitch, the sinister soul of a trickster infused with an infected human. Conversely, some of the humans barely register, introduced immediately prior to their deaths or transformations into nameless creatures. Nevertheless, the back story involving a character’s father provides a strange but enthralling origin for the Beast, or at least explains why he chose Autumntown. The Beast, too, becomes gradually more terrifying as he garners more powers, such as levitation. The narrative does have its lighter moments; the humans’ surprisingly effective homemade defense, “monster acid” (a clever concoction best left unspoiled for readers), paves the way for cheerworthy combat moments.Nuance becomes a little lost in the mix of monsters and humans, but an unwavering pace promises unending entertainment.
Pub Date: June 30, 2016
Page Count: 246
Review Posted Online: Aug. 11, 2016
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Awards & Accolades
Best Books Of 2015
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.The phrase “tour de force” could have been invented for this audacious novel.
Pub Date: March 10, 2015
Page Count: 720
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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More About This Book
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….A strict report, worthy of sympathy.
Pub Date: June 15, 1951
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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