A sometimes-engrossing, sometimes-overwrought journey to the soul’s dark side.


Lord Byron's Prophecy

The notorious Romantic poet spiritually presides over a modern-day fable of forbidden desire, apocalyptic foreboding, and campus melodrama.

Eads’ novel hopscotches between settings and centuries as it elaborates its transhistorical saga of psychosexual hysteria. It picks up with Byron’s storied 1816 Lake Geneva sojourn with poet Percy Bysshe Shelley and Shelley’s future wife, Mary, full of melancholy musings and ghost stories. Out swimming one day, Byron starts to flounder and, before you can say, “For the love of God, I cannot stand to see this!...End my life but show me no more!” he sees the world engulfed in a burning hellscape—prophetic visions he will immortalize in his poem “Darkness.” Fast-forward to present-day Westervelt University and an array of entanglements: professor Adam Fane, a man staggering under several guilty secrets; his son Gordon, a student and basketball star; English professor Amber Oxley, who is carrying on a hidden affair with Gordon; and Gordon’s bluff but troubled roommate John-Mark. The entwined storylines fester with emotional turmoil: Byron has to be restrained by Count Guiccioli’s men from hurling his young daughter from a window; Adam’s mind wanders compulsively to his boyhood homoerotic friendship with a handsome all-American schoolmate. As years pass, unacknowledged perversions propagate between generations. Linking them are contrived resonances—Adam has a clubfoot like Byron; Gordon has a dog he calls Shiloh, Byron’s nickname for Shelley; a latter-day tween actually reads Byron—and, above all, the main characters’ constant, mentally crippling subjection to Byronic visions of ravaged faces and fire. This last motif means the novel frequently bogs down in turgid dream imagery that’s often more tiresome than evocative. Eads is a skillful writer, though, and when he sticks to describing the real world his characters inhabit—the sphere of aristocratic aesthetes and, even better, the brash but awkward jock-ish culture of Gordon and his buds—rather than the netherworlds of their imagining, he crafts complex, convincing portraits of people struggling with sins they can’t quite perceive.

A sometimes-engrossing, sometimes-overwrought journey to the soul’s dark side.

Pub Date: Oct. 1, 2015

ISBN: 978-1-59021-553-1

Page Count: 300

Publisher: Lethe Press

Review Posted Online: Sept. 15, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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A love letter to the power of books and friendship.

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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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