Flawless, honest, humane, moving.
Barry’s prequel to the fine Annie Dunne (2002) turns to WWI for the story of a young Dublin soldier who loses love, crown, country, and family in the war-torn desolation.
Willie Dunne is the older brother of Annie (she was born in 1900), and all might have been very different for them indeed had Willie only grown tall enough to have entered the metropolitan police force. His own stern and principled father was himself Dublin’s chief superintendent of police, looking very much the part from his towering height of six-foot-six, an entire foot above small Willie, only son among four siblings in this motherless family. Since six feet was required for entering the force, Willie was impelled in other directions—and there did happen to be the war (“if he could not be a policeman, he could be a soldier”). And so he ships out for Belgium, leaving behind his beloved Gretta, whom he’d met when she was only 13 (and he 17). Barry is authentic and unflinching as a novelist of the war, neither sparing nor overdramatizing anything as Willie goes under fire, sees death all around him, undergoes his first gas attack, even visits a brothel—an incident, indirectly, that will bring about his loss of Gretta. But politics is what really traps Willie. At the end of a home leave, he and other troops are employed in putting down the Irish nationalists’ Easter 1916 uprising, and, when he sees the nationalists simply shot down, Willie’s own sense of identity with them is awakened. A letter home carries a hint of this feeling, and on Willie’s next leave, his father—conservative, royalist, servant of three monarchs—bans him from his home. Back on the front, Willie no longer has Gretta, is despised by the Irish nationalists for serving England, by the loyalists for sympathizing with the nationalists, and by the English for being Irish. Willie’s end will be alone—and utterly, utterly pointless.
Flawless, honest, humane, moving.Pub Date: Feb. 7, 2005
ISBN: 0-670-03380-4
Page Count: 288
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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