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SHADOWS ACROSS THE LINE

VOICES OF THE DISPLACED

A colorful and stirring assemblage of firsthand immigration accounts.

A collection of migration stories from around the world.

Tasdelen begins his book with some sobering numbers from the U.N. High Commissioner for Refugees: In 2024, over 123 million people sought refuge after being displaced from their homes. Thousands of people, including many children, die every day from exposure on roads or in poorly supplied temporary refugee camps, and many thousands more—the lucky ones—must live in foreign lands, missing home while often being suspected or despised by their new neighbors. Tasdelen asserts that “all people deserve to live freely wherever they wish without borders and barbed wire,” and he presents the stories of refugees from a wide variety of countries and circumstances, largely in their own words. The subjects include 25-year-old barber Carlos, who fled crime-ridden San Pedro Sula in Honduras for the United States, “escaping widespread violence, poverty, and food insecurity intensified by climate change.” There’s also Lucia, a 36-year-old mother of two who left Mexico with her children, spending time in refugee camps that “entailed daily battles, but [she] strived not to lose hope that one day [they] would cross the border for a better life.” Other migrants had different destinations in mind; Ali Shah, for instance, fled his home in Adiyaman, Turkey, due to worsening economic conditions and religious discrimination, and he eventually ended up seeking asylum in Toronto. (“There wasn’t an arrest situation like in America, and the police treated people well,” he recalls. “Thinking about this made me feel better.”) The diverse combination of voices is effective—these are the human stories that often get lost in statistics or news headlines, and the people in those stories are given the opportunity here to relate their narratives as they experienced them. The stories come from a range of decades, but readers should be warned that the violent and largely illegal anti-immigration measures of President Donald Trump pervade almost every corner of this book, setting the hope and humanity of the displaced in stark relief.

A colorful and stirring assemblage of firsthand immigration accounts.

Pub Date: Nov. 17, 2025

ISBN: 9781038359001

Page Count: 252

Publisher: FriesenPress

Review Posted Online: Jan. 27, 2026

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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