A welcome introduction to a writer of substance hitherto unknown to readers outside Korea.
Assured, thoughtful stories of daily life in modern Korea.
What constitutes a good family? In traditional Korean society, it seems, it must have at its center a woman who has no life other than to serve her husband and children. So it is that, in the opening story of Seo’s octet, a woman already given to self-sacrifice, her husband demanding that she clean up after a covey of messy pigeons that she detests, must contend with ovarian cancer, a flock of white-coated doctors who won’t tell her anything useful, and a useless son who ranges between rage and incomprehension. Seo’s stories find the worm in the apple of ordinary lives, pondering what happens when we examine them too deeply—as, for instance, when a teenage girl begins to spy on her father, certain that he’s having an affair with “Lady Unidentified.” Given that Dad is afraid of insects—“I’m not just talking about disgusting-looking insects like thumb-sized cockroaches and centipedes,” our teenager hastens to add. “He’s afraid of beetles, crickets, grasshoppers, and even butterflies”—it seems uncharacteristically daring of him to contemplate such a fling, and the daughter comes to regret opening the door into his private life. Self-delusion is sometimes to be preferred to self-awareness; when an arrogant doctor becomes a patient, his carefully constructed world comes tumbling down, and he has to decide whether there’s any gain in becoming a better person, even as a writer confronting the meta-fact that “literature may be destined to live on the periphery of society” has to puzzle over whether it’s even worth it to pick up pen and go on. Seo’s stories are plainspoken and uncomplicated and really quite conventional; if there are few surprises in her hard-won revelations that life is hard and ultimately tragic, to say nothing of litigious and bureaucratic, there is plenty of sympathy for humans in all their inglorious, messy condition.
A welcome introduction to a writer of substance hitherto unknown to readers outside Korea.Pub Date: Dec. 8, 2015
ISBN: 978-1-62897-118-7
Page Count: 350
Publisher: Dalkey Archive
Review Posted Online: Sept. 23, 2015
Kirkus Reviews Issue: Oct. 1, 2015
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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