PUSHKIN'S BUTTON

An Italian scholar’s unorthodox take on the events leading to Pushkin’s fatal duel reads like impassioned fiction. On January 27, 1837, one of Russia’s greatest poets, Alexander Pushkin, died as the result of a wound inflicted during a duel he—d fought to defend his wife’s honor. His opponent was none other than his sister-in-law’s husband, Georges d’Anthes, a French officer. Readers will recognize telltale signs in Vitale’s (Russian/Univ. of Pavia, Italy) narrative of the typically massive Russian novel: the cast of thousands (here enumerated in a 24-page “Index of Names”) and the story’s soap-opera-like overtones. Combining her own research with information gleaned from secondary literature and the memoirs and letters of Pushkin’s contemporaries, this account brims with humor, drama, scholarly insight, and a breathless conversational tone, hinting of espresso and cigarette smoke wafting in a cafe corner. Vitale’s approach, however, is not for everyone. The duel occurs some 242 pages into the text. Chapter titles, like the title of the book, are more poetic than informative. And the facts are often conveyed repetitiously. Still, the drawbacks seem finally beside the point, for Vitale brings to life the drama of Pushkin’s end, from the state of the poet “whose frenzied jealousy was known to all,” to the doings of his flirtatious wife and the royal court, Pushkin’s strained relations with the tsar, and the bizarre case of d’Anthes’s adoption by a Dutch ambassador and his affairs with the women of St. Petersburg. Also, the author eagerly takes up her role as detective, investigating d’Anthes’s circumstances, his opinion of Pushkin’s wife, and the circulated letter that provoked the duel. With its unabashed love of intrigue and nuance, Vitale’s unusual chronicle of Pushkin’s final days will appeal to any lover of Russian literature, history, and culture.

Pub Date: Feb. 1, 1999

ISBN: 0-374-23935-5

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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