Direct, driven, occasionally dirty, and undeniably fresh.



This colloquial debut weaves memoir with cultural studies to illuminate genuine stories of surviving and thriving—and necessary lessons in between.

“I’m fat,” writes Bowen in the first chapter. “Let’s start there.” This frankness sets the tone for the book. Framing the text around trap music, “a hip-hop subgenre that expresses some of the realities and aspirational views of Black folks from the hood,” the author uses specific experiences as points of reference to explain her life’s guiding empowerment principle—what she terms “trap feminism.” Before she named it, Bowen clarifies, this creed “was written into the codes I learned growing up broke, curious, Black, resilient, and female in some of the worst parts of Chicago. It’s what I learned through fistfights, sex work, queerness, and fatness….It’s still how I navigate and make sense of the world.” Throughout, the author, the former entertainment editor for Nylon magazine, compellingly addresses themes of racism, sexism, body politics, anarchy, an unreliable justice system, confidence, money, and sexuality, among many others. In differentiating sex work and sex trafficking, Bowen shares her account of a man trying to pimp her out when she was 14, and she makes a case for decriminalizing sex work. “My love for trap makes me what Roxane Gay would call a ‘bad feminist,’ ” Bowen writes, acknowledging that the music is frequently deemed misogynistic. Still, over decades of listening to female rappers, the author notes, “I learned to prioritize my own desires, ambitions, and pleasures, because for all the ways that they might reflect how men talk about us in their rhymes, these women are also adding a key piece of nuance…women, especially Black women, are inherently valuable.” Of trap feminists, she concludes, “We do what we have to when we can’t do what we want to.” Bowen’s writing will appeal to readers undeterred by profanity who are interested in both contemporary hip-hop and feminist autobiographies.

Direct, driven, occasionally dirty, and undeniably fresh.

Pub Date: Oct. 5, 2021

ISBN: 978-0-06-302870-8

Page Count: 272

Publisher: Amistad/HarperCollins

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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A lovely, sometimes challenging testament to the universality of human nature.


The creator of the hit internet series Humans of New York takes it global, chasing down a panoply of interesting stories.

In 1955, Edward Steichen staged a show called “The Family of Man,” a gathering of photographs that emphasized the commonality of humankind. Stanton’s project seemingly has much the same ambition. “You’ve created this magic little corner of the Web where people feel safe sharing their stories—without being ridiculed, or bullied, or judged,” he writes. “These stories are only honestly shared because they have a long history of being warmly received.” The ask is the hard part: approaching a total stranger and asking him or her to tell their stories. And what stories they are. A young Frenchwoman, tearful, recounts being able to see things from the spirit world that no one else can see. “And it’s been a very lonely existence since then,” she says. A sensible teenager in St. Petersburg, Russia, relates that her friends are trying to be grown-up, smoking cigarettes and drinking alcohol, whereas she wants to remain a child close to her parents: “I’d like these times to last as long as possible.” A few stories are obnoxious, as with a Dutch incel who has converted himself into a pickup artist and outright cad: “Of course it’s manipulation, but why should I care? I’ve been manipulated so many times in my life.” A great many stories, some going for several pages but most taking up just a paragraph or two, are regretful, speaking to dashed dreams and roads not taken. A surprising number recount mental illness, depression, and addiction; “I’d give anything to have a tribe,” says a beleaguered mother in Barcelona. Some are hopeful, though, such as that of an Iranian woman: “I’ve fallen in love with literature. I try to read for one or two hours every day. I only have one life to live. But in books I can live one thousand lives.”

A lovely, sometimes challenging testament to the universality of human nature.

Pub Date: Oct. 6, 2020

ISBN: 978-1-250-11429-7

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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A refreshing celebrity memoir focused not strictly on the self but on a much larger horizon.

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One of Hollywood’s biggest stars delivers a memoir of success won through endless, relentless work and self-reckoning.

“My imagination is my gift, and when it merges with my work ethic, I can make money rain from the heavens.” So writes Smith, whose imagination is indeed a thing of wonder—a means of coping with fear, an abusive father with the heart of a drill instructor, and all manner of inner yearnings. The author’s imagination took him from a job bagging ice in Philadelphia to initial success as a partner in the Grammy-winning rap act DJ Jazzy Jeff and the Fresh Prince. Smith was propelled into stardom thanks to the ministrations of Quincy Jones, who arranged an audition in the middle of his own birthday party, bellowing “No paralysis through analysis!” when Smith begged for time to prepare. The mantra—which Jones intoned 50-odd times during the two hours it took for the Hollywood suits to draw up a contract for the hit comedy series The Fresh Prince of Bel-Air—is telling, for hidden within this memoir lies a powerful self-help book. For Smith, all of life is a challenge in which one’s feelings are largely immaterial. “I watched my father’s negative emotions seize control of his ample intellect and cause him over and over again to destroy beautiful parts of our family,” he writes, good reason for him to sublimate negativity in the drive to get what he wanted—money, at first, and lots of it, which got him in trouble with the IRS in the early 1990s. Smith, having developed a self-image that cast him as a coward, opines that one’s best life is lived by facing up to the things that hold us back. “I’ve been making a conscious effort to attack all the things that I’m scared of,” he writes, adding, “And this is scary.” It’s a good lesson for any aspiring creative to ponder—though it helps to have Smith’s abundant talent, too.

A refreshing celebrity memoir focused not strictly on the self but on a much larger horizon.

Pub Date: Nov. 9, 2021

ISBN: 978-1-984877-92-5

Page Count: 432

Publisher: Penguin Press

Review Posted Online: Nov. 9, 2021

Kirkus Reviews Issue: Dec. 15, 2021

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