Next book

THE BONES

An often hilarious kitchen sink of a debut, one more example of a satire providing new examples left and right of the...

Comedy is not pretty for either writers or performers in playwright/television writer Greeland’s exuberant, massively untidy first novel.

Frank Bones has been the reigning bad boy of American standup for ages, but he’s never scored with a wider audience. At 48, Frank still has the comic reflexes, the dark vision (“people are evil”) and the lovely live-in, Hot Ninja Bounty Hunters cult star Honey Call. But Frank wants more; he wants his own TV show, a series that’s all about him and no one else. The Lynx Network, however, doesn’t want to bankroll My Life and High Times; they want Frank to star in Kirkuk, whose head writer, Orson Dubinsky, promises to make it “an apocalyptic-spaghetti-noir half-hour Eskimo thing.” When golden Hollywood hack Lloyd Melnick turns down Frank’s groveling request to write a pilot for My Life and High Times, he sets in motion a plot that suggests Rube Goldberg in a wind tunnel. It’s obvious from the many barely disguised portraits of studio princelings and hangers-on in this roman à clef that Greenland has made some important discoveries about Hollywood: Stars and writers alike are really ambitious; they’re obsessed with money, sex, and power even when they’re trying to raise money for their pet charities; they’re all pitifully insecure; and the most successful of them aren’t necessarily the most talented. For the first two-thirds of his tale, Greenland floats some extremely funny one-liners on a cantus firmus drawn from Jackie Collins, Michael Tolkin, and Tom Wolfe. But a sequence barely adapted from The Bonfire of the Vanities sends Frank on a downward spiral to Tulsa, and the plot, juiced by a spectacularly unconvincing homicide, goes even further into deep space until it drifts out too far to recall.

An often hilarious kitchen sink of a debut, one more example of a satire providing new examples left and right of the excesses it thinks it’s condemning.

Pub Date: March 14, 2005

ISBN: 1-58234-550-3

Page Count: 400

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview