An intimate and layered portrait of disabled womanhood.
A Kuwaiti Palestinian professor of English literature reflects on living with multiple sclerosis.
When she was 18, Alshammari was diagnosed with MS and told that she had little time left to live. “It’s strange how compelling it is to think about your own death while you’re still alive,” she writes. Despite this devastating news, the author defied the odds, going to graduate school in the U.K. and returning to Kuwait to teach university students. Yasmeen, one of her students, became Alshammari’s “friend and confidante” and encouraged her to write the book. When the author got overwhelmed, Yasmeen suggested typing up passages from her diary, a recommendation that resulted in a conversation between the two women about passages Yasmeen found fascinating or confusing. What results is a conversation that meanders from topic to topic, including Alshammari’s fiercely complicated love for her mother (“She is everywhere, a shadow, a ghost, a being that there is no severing from”); meeting an older mentor at the MS society who helped her make sense of her deteriorating body; a near-death experience she had during an experimental treatment; and her first experience teaching Othello to an all-male and an all-female class at her first postgraduate job. Throughout, the author places her personal battles with her body within the context of the disabled community’s battles with a social hierarchy that continuously attempts to rob them of agency. Alshammari’s frequent shifts between tenses and points of view generate a flowing intimacy that fully immerses readers in the traumas and triumphs of her life. While the author is honest about her pain, she never reduces herself to her trauma. This approach results in a vulnerable, compassionate narrative of tenderness and humanity. Ultimately, writes the author, the text is “the result of years of framing an illness narrative, a life-interrupted narrative, and one that captures the different angles of my kaleidoscope as I look inwards.”
An intimate and layered portrait of disabled womanhood.Pub Date: July 18, 2023
ISBN: 9781952177071
Page Count: 176
Publisher: Feminist Press
Review Posted Online: March 24, 2023
Kirkus Reviews Issue: April 15, 2023
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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