A remarkable vision of the elusiveness of redemption and love.
The ne’er-do-well scion of a Tehran merchant family emerges from war determined to recover what he lost—an arm, a lover, and crucial memories—in this multilayered, hypnotic tale.
In 1980s Iran, Amir Yamini coolly plays the libertine until one relationship grows serious, then unravels badly. The devastated young man seeks numbness in alcohol, but his drunkenness brings a horrific flogging of 80 lashes. He then enlists in the military during the Iran-Iraq War without telling his family. An explosion takes his left arm and lands him in a hospital for shellshock victims, where his mother and sister find him after a five-year search and take him home. The novel actually starts at this point and soon reveals Amir’s patchy memory and his obsession with finding his left arm to learn whether he was wearing a gold ring linked to his last lost love. History and politics, Islam and Morality Police permeate without overwhelming the narrative as it shifts between Amir’s present and past. His relationship with his sister is also a rich, tender thread throughout. Mandanipour, an Iranian writer whose first novel in English, Censoring an Iranian Love Story (2009), elicited allusions to M.C. Escher and Rubik’s Cube, does not do things simply here in his second, either. Sections alternate between a scribe “on his right shoulder” and one on his left, like good and bad angels, providing both omniscient narrative and Amir’s first-person reveries. The device suggests Amir’s unsteady grasp of reality, his own story, as his damaged, drifting mind tries to paste together dimly recalled shards of a broken life. The prose also reveals a writer in total control, easily moving from the banter of youth to lyrical or sensual flights befitting Amir’s former liking for poetry and seduction, to Persian folktales or hallucinatory fever dreams from a brain unhinged by battle, medication, and remorse.
A remarkable vision of the elusiveness of redemption and love.Pub Date: April 17, 2018
ISBN: 978-1-63206-128-7
Page Count: 480
Publisher: Restless Books
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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