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BEWARE OF GOD

STORIES

Too brief by far, but with enough sparks to give an idea of the author’s irreverent revelations. Overall, a fresh voice, and...

Shades of the absurd, Orthodox Jewish style, in a nutty little debut collection of 14 stories.

An 18-year-old Lubavitcher yeshiva student wakes up one morning in the form of a “very large goy” and terrorizes the community of bickering rabbis in “The Metamorphosis.” In “God Is a Big Happy Chicken,” newly dead Yankel Morgenstern ascends to heaven to discover that God is—surprise!—Chicken himself, “who gets his feed filled in the morning, and his droppings cleaned in the afternoon and that’s all He really wants to know.” And though Yankel is allowed to return to tell what’s what to his devoted family, still praying to a non-fowl deity, he can’t bring himself to disabuse them of their cherished ideals. In “Bobo the Self-Hating Chimp,” a small male chimpanzee in the Bronx Zoo achieves “total conscious self-awareness” one day when he recognizes that he feels shame—thanks to a “bright red erection”—and has a kind of breakdown that leads him to reject his previous monkey existence as meaningless and embrace suicide. In his theatrically deadpan moments, humor writer Auslander revisits Beckett, most notably, while a fear-and-loathing urban sensibility à la Woody Allen also springs to mind, along with Kafka, in these grim, seemingly silly pieces that possess a direct comic hit. “Holocaust Tips for Kids” is a marvelously twisted catalogue of grisly historical facts mixed with juvenile naïveté and fear: “Anne Frank hid in her attic for over two years. / Maybe I should pack more food.” Many of the stories skewer in some fashion what may be more contentious and solipsistic aspects of Judaism. In the last tale, for example, “It Ain’t Easy Bein’ Supremey,” a balding junior accountant, Epstein, creates two slavish golem from the Kabbalah for Dummies only to watch them kill each other over finer points of law.

Too brief by far, but with enough sparks to give an idea of the author’s irreverent revelations. Overall, a fresh voice, and wonderfully fearless.

Pub Date: April 1, 2005

ISBN: 0-7432-6456-8

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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