by Shannon Hale ‧ RELEASE DATE: June 1, 2007
Mindless froth that Austen addicts will love.
Yet another player in the literary parlor game of re-writing Jane Austen.
From the dedication to Colin Firth, Mr. Darcy in the 1995 BBC miniseries, Hale, author of YA novels (River Secrets, 2006, etc.), lets the reader know her tongue is firmly in cheek. Hale’s heroine, Jane Hayes, is a single New York professional with a secret passion for Pride and Prejudice—not the novel, but the more over-the-top romantic screen versions, particularly the one starring Firth. Shortly after her Great-Aunt Carolyn discovers Jane’s obsession, the old lady conveniently dies, having bequeathed to Jane a three-week stay at Pembrook Park, a fantasy version of a Regency England country estate (modern plumbing, but no cell phones allowed). Temporarily re-christened “Miss Jane Erstwhile,” Jane soon finds herself plopped into the center of several Austen novels rolled together. Her fellow guests are the pathetically needy “Miss Charming” and the gentle, genuinely charming “Miss Heartwright.” Knowing that the hosts and male guests are clearly actors does not keep Jane from confusing fact with fantasy. As she resists the falseness of the situation, she falls into a contemporary fling with Martin, an actor playing a gardener on the estate, with whom she watches television and makes out. She also finds herself drawn to “Mr. Nobley,” a Darcy stand-in. But is it the character being played whom she’s attracted to? Or the man playing him? The novel is clever in its depiction of the many ways in which romance can fall away, and Jane is no fool as she attempts to sort out the real from the make-believe. Readers will be as surprised as she is by some of the twists. But ultimately this is a romance novel in which lovers who are meant to be together overcome miscues and misunderstandings before the final clinch.
Mindless froth that Austen addicts will love.Pub Date: June 1, 2007
ISBN: 1-59691-285-5
Page Count: 208
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
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by Shannon Hale
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Zoë Perry
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