by Sharon Sala ‧ RELEASE DATE: Feb. 4, 2014
Two-dimensional characters and clunky writing leaves little to recommend this predictable romance.
A romantic comedy featuring a young woman stuck in the past and her next-door neighbor, who harbors a secret passion.
LilyAnn was once crowned Peachy-Keen Queen of Blessings, Ga., but that was years ago, when her boyfriend was still alive. When he died in Iraq, LilyAnn remade her identity into the grieving girlfriend, and now, 11 years later, although graveside visits have ended, she is overweight, unhappy, anti-social and stuck in a life she had little hand in shaping. Her companion over the years has been Mike Dalton, a childhood friend and next-door neighbor. He has adored her forever and hopes one day she’ll wake up so their love can be less one-sided. Thankfully, the ladies at the local salon, The Curl Up & Dye, will help the two move in the right direction. Meanwhile, T.J. Lachlan has come to town, and his rowdy machismo has inspired LilyAnn to lose some weight. The turn of events has outraged Mike (he suspects LilyAnn of flirting with T.J.), who feels his decadelong patience and faithfulness has been for naught. Mike plans on making LilyAnn jealous; she plans on ignoring him. They both give each other the cold shoulder. And then LilyAnn recognizes that she may have been in love with Mike all along, if only he would talk to her again. Only when T.J. reveals himself to be a real villain do Mike and LilyAnn realize that they should dispense with all their nonsense and get married. Sala, author of dozens of novels (A Thousand Lies, 2013, etc.), seems less interested in the motivations of her characters than the machinations of the plot, leaving a sense of tired inevitability to the happy ending.
Two-dimensional characters and clunky writing leaves little to recommend this predictable romance.Pub Date: Feb. 4, 2014
ISBN: 978-1-4022-8396-3
Page Count: 288
Publisher: Sourcebooks Landmark
Review Posted Online: Aug. 10, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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