by Sharyl Attkisson ‧ RELEASE DATE: Nov. 4, 2014
A deep, nuanced and indignant indictment of the players who have made investigative journalism harder to conduct, even if...
A respected investigative journalist perceived as having a political chip on her shoulder when she left CBS reveals a deeper story.
With more than 30 years in broadcast journalism, Attkisson has received five Emmys and an Edward R. Murrow Award for her work. She makes the claim that she was as doggedly the scourge of Republican administrations as Democratic ones. But with unrelenting coverage of the flubbed healthcare.gov rollout, Benghazi, the federal Bureau of Alcohol, Tobacco, Firearms and Explosives' Operation Fast and Furious, the flawed gun-running operation, the author argues that the convergence of a thin-skinned Obama administration’s reaction to her work and “skittish,” liberal ideological news managers at CBS made the climate for her investigative work untenable. (She goes so far as to say that Evening News with Scott Pelley executive producer Pat Shevlin “sometimes had a difficult time grasping complex stories.”) Finding it increasingly difficult to get her segments aired as she conceived of them, Attkisson eventually negotiated a departure from the network—but not before a long, mysterious bout of sophisticated hacking of her computer occurred (the author intimates in the book that someone inside the federal government is responsible and her telling of the hacking makes for thrilling reading). The fact that Attkisson joined the staff of the Daily Signal, the news site funded by the Heritage Foundation, after leaving CBS may indicate she’s conservative by nature, but she doesn’t blindly repeat Republican talking points. Instead, she’s more concerned that politicians on both sides of the aisle often forget that they serve everyday citizens rather than the rich and powerful. “[The politicians] think they own your tax dollars,” she writes. “They think they own the information their agencies gather on the public’s behalf. They think they’re entitled to keep that information from the rest of us and…they’re bloody incensed that we want it.”
A deep, nuanced and indignant indictment of the players who have made investigative journalism harder to conduct, even if those actors are other journalists.Pub Date: Nov. 4, 2014
ISBN: 978-0-06-232284-5
Page Count: 432
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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