THE UNQUIET GRAVE

McCrumb’s (Prayers the Devil Answers, 2016, etc.) latest combines an Appalachian ghost story with a turn-of-the-last-century murder case.

This tale takes a while to develop, as it progresses at the ambling pace of a one-horse buggy over muddy roads. The setting veers back and forth between rural Greenbrier County in 1890s West Virginia and a segregated asylum “for the Colored Insane” in 1930. In Greenbrier, Mrs. Heaster, a farm wife, worries about her only daughter, the beautiful and impractical Zona, who, at 20, has endangered her marriageability with an out-of-wedlock pregnancy. However, after Zona’s child is adopted out, she meets handsome blacksmith “Trout” Shue. The infatuation is immediate and mutual, and the couple rushes to marry. Zona ignores her mother’s cautions about hasty marriage, particularly to someone whose last wife (Shue’s second) died of a fall less than a year before. At the wedding reception, Shue’s remark about Zona’s weight immediately alerts Mrs. Heaster that her daughter has just married what we would today term a potentially abusive control freak. Sure enough, within a few months, Zona is dead—from a tumble down the stairs, according to her husband—and Shue refuses to let anyone else near her body until it is safely interred. Mrs. Heaster’s suspicions that the death was no accident are confirmed after visits from Zona’s ghost lead her to demand an exhumation and autopsy. In 1930, James Gardner, an elderly retired attorney committed to the Lakin hospital following a suicide attempt, recalls the days when, while apprenticed to the colorful barrister William Rucker, he was second chair in the defense of Shue at his murder trial. Despite the intriguing questions touching on Gardner’s struggles as a black lawyer in the South, the asylum sections, consisting of many courtly dialogues with a sympathetic doctor, are unavoidably dull, since they distract from the far more suspenseful experiences of Mrs. Heaster as she pulls out all the stops to get justice for her daughter in a system controlled by men.

Unquiet indeed.

Pub Date: June 20, 2017

ISBN: 978-1-5011-7287-5

Page Count: 368

Publisher: Atria

Review Posted Online: April 4, 2017

Kirkus Reviews Issue: April 15, 2017

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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