Rodenberg's depth of feeling, intelligence, and love open eyes and demolish stereotypes.
A powerful and surprising story of an Appalachian childhood.
Rodenberg opens with a scene in 2017, when she was "acting as an ambassador" for a TV crew eagerly hunting for "Mountain-Dew-mouth and dirt floor stereotypes" for a segment about her Eastern Kentucky hometown, "often as inscrutable and inaccessible to outsiders as a war-torn third-world country." In between takes, she surreptitiously darted to her aging parents' trailer for a quick errand. In the remainder of the book, she takes us on a journey that expands our understanding of these scenes. After her father returned from Vietnam in the early 1970s, he moved his young family to Minnesota, where they spent a few years in a rural Christian commune before moving back to the area where he was raised. Throughout, the author's densely detailed writing style makes for engrossing reading. On her grandmother's grooming routine: “She rubbed her hands with grease when she did housework, to keep them soft and young-looking. She steamed her face each night with a fresh hot rag, wiped it with Pond's, then Oil of Olay.” A childhood game: "We played veterinarian with stray cats and dogs, pulling wolf worms from their necks with matches and tweezers and engorged ticks from the clusters on their backs, stomping and smearing the ticks in to red swirls across the blacktop; when we ran out of ticks we stomped clusters of poke berries to finish our pictures." The story continues through her teenage years: "I won't say that being punished for things I hadn't yet done made me want to do them, but it definitely finalized my plans." This is a bountiful, sometimes haunting story, but Rodenberg's structural choices may deter some readers. Her first-person story is told in a sometimes-confusing order, interrupted by novelistic third-person sections recounting the early lives of her parents and other relatives. This approach doesn’t always work, but it’s a minor quibble for an important memoir.
Rodenberg's depth of feeling, intelligence, and love open eyes and demolish stereotypes.Pub Date: June 8, 2021
ISBN: 978-1-63557-455-5
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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