An unpretentious, if rather low-key, story about a pastor looking for the hand of God.
A married pastor confronts long-dormant romantic feelings in Epps’ debut Christian novel.
Fifty-five-year-old Robert Maxwell, the pastor at Believer’s Community Fellowship Church in Graceville, Alabama, feels tempted every Sunday as he looks out and sees Emma Crane sitting in one of the pews. “What is wrong with you?” he chastises himself after one service. “You have the most amazing wife on the planet, and you love her with all your heart, so why does this continue to happen to you?” Forty years ago, Robert and Emma were middle school sweethearts; sometime after she moved away, he became a devout Christian, married a woman named Amelia, and had children. But ever since Emma moved back to town two years ago, Robert has felt old feelings stirring—and he’s asked God for help in dealing with them. Robert already has enough on his plate between his duties as pastor and his day job at a business-operations consulting firm, not to mention the troubles of his daughters and their husbands—one of whom he likes, and one he doesn’t. As he goes through his daily life, the various challenges he faces test his faith in ways great and small. Emma is perhaps his greatest test of all—but how should a true man of God face it? Epps writes in an easygoing prose style that effectively channels the rhythms of his protagonist’s daily life: “Robert was looking forward to his week off….Saturday at his in-laws was very peaceful. Amelia brought the ingredients to cook two-pound cakes.” It isn’t a very gripping yarn—Robert is hardly Job in terms of the trials that God sets before him—and it wraps up in a way that one might expect in a Christian novel about a devout man. Even so, Epps presents a realistic tale that’s firmly religious without being overwhelmingly dogmatic. Christian readers looking for a low-stakes slice-of-life story about family and community will likely enjoy this short volume.
An unpretentious, if rather low-key, story about a pastor looking for the hand of God.Pub Date: May 31, 2019
ISBN: 978-1-973661-96-2
Page Count: 162
Publisher: Westbow Press
Review Posted Online: Nov. 13, 2019
Review Program: Kirkus Indie
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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