A candid and uplifting musical memoir.
A noted percussionist and singer gets personal about her life and rise to fame and fortune.
From a very early age, Escovedo seemed destined to have a musical career. As an infant, the pounding of her percussionist-father Pete Escovedo’s drums “felt like the heartbeat of [her] life.” Though sports were the author’s earliest passion, the older she got, the more music became the outlet for the bitterness, guilt and anger she felt at being raped by a babysitter at age 5 and molested by male cousins for six years after that. Drawn to gangs as a young teenager, Escovedo found salvation in athletics and music. Two years later, she got her first big break when world-famous drummer Billy Cobham asked her to tour with him. At 18, she began a “life-altering” relationship with Carlos Santana. Their association ended when Escovedo discovered he was married, but her own musical star continued to ascend. Soon, she found herself playing backup for such legends as Diana Ross, Chaka Khan and Marvin Gaye. She joined forces with Prince, the second great love of her life, in the early 1980s. He helped her step out of the shadows and become Sheila E., a star in her own right. But money and notoriety took their tolls. Without her realizing it, she became a “mean, demanding and angry” diva. A breakup with Prince and breakdown of her own body led Escovedo to face her past sexual traumas. In the aftermath, she dedicated her life to God and to helping abused and disadvantaged children find “a means of processing their pain” through music. As a chronicle of one woman’s path through the male-dominated worlds of Latin music, soul, funk and pop, Escovedo’s book, written with Holden, is interesting and unique, but its greatest appeal will be to fans who know her best as Sheila E.
A candid and uplifting musical memoir.Pub Date: Sept. 2, 2014
ISBN: 978-1-4767-1494-3
Page Count: 336
Publisher: Atria
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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