by Shelley Blanton-Stroud ‧ RELEASE DATE: June 24, 2020
An expressive and striking story that examines what one does for family and for oneself.
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A novel about an ambitious young woman who navigates familial trauma while working as a copy boy in late-1930s San Francisco.
At the height of the Great Depression, 17-year-old Jane Hopper arrives home one night to find her pregnant mother packing their possessions into the car of federal labor camp manager Uno Jeffers. Her mother wants them to move, and when Jane’s father, Abraham, arrives home inebriated and angry, a domestic brawl ensues. Jane feels an obligation to her mother, who blames her for the death of Jane’s stillborn fraternal twin, Benjamin, so she fights her father. During the melee, she hears her brother’s voice in her head urging her on, and she leaves Abraham for dead. Her mother has left without her, so Jane flees to San Francisco for a fresh start. Three months later, she’s working for a newspaper called the Prospect and posing as a boy with her brother’s name, Benny Hopper. While working as a copy boy, Jane meets a woman named Vee who says, “I’ve got a story for you, rookie.” They make an appointment to meet, which Jane doesn’t keep; then Vee is attacked and hospitalized. Jane finds a picture of Vee and decides to look into the woman’s life, which leads her to uncover a story of corruption that ties Jane’s own new life to her former one. In her debut, Blanton-Stroud, who teaches writing at Sacramento State University, effectively evokes the dichotomy of Jane’s rural and urban lifestyles, particularly when highlighting Jane’s family’s poverty. The author’s descriptive language is robust, especially when setting scenes: “Benjamin Franklin Hopper was born into a shattered bulb, shards buried under the loose, gray silt of a ravaged Texas plain.” There are occasional minor errors, and the device of Jane repeatedly hearing Benjamin’s voice in her head doesn’t add very much to the narrative aside from a very strong opening. Even so, Blanton-Stroud’s book remains an engrossing work of fiction.
An expressive and striking story that examines what one does for family and for oneself.Pub Date: June 24, 2020
ISBN: 978-1-63152-697-8
Page Count: 264
Publisher: She Writes Press
Review Posted Online: May 4, 2020
Review Program: Kirkus Indie
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by Lauren Groff ‧ RELEASE DATE: Sept. 12, 2023
The writing is inspired, the imaginative power near mystic, but some will wish for more plot.
This historical fever dream of a novel follows the flight of a servant girl through the Colonial American wilderness, red in tooth and claw.
As in her last novel, Matrix (2021), Groff’s imaginative journey into a distant time and place is powered by a thrumming engine of language and rhythm. “She had chosen to flee, and in so choosing, she had left behind her everything she had, her roof, her home, her country, her language, the only family she had ever known, the child Bess, who had been born into her care when she was herself a small child of four years or so, her innocence, her understanding of who she was, her dreams of who she might one day be if only she could survive this starving time." Those onrushing sentences will follow the girl, “sixteen or seventeen or perhaps eighteen years of age,” through the wilderness surrounding the desperate colony, driven by famine and plague into barbarism, through the territory of “the powhatan and pamunkey” to what she hopes will be “the settlements of frenchmen, canada,” a place she once saw pointed out on a map. The focus is on the terrors of survival, the exigencies of starvation, the challenges of locomotion, the miseries of a body wounded, infected, and pushed beyond its limit. What plot there is centers on learning the reason for her flight and how it will end, but the book must be read primarily for its sentences and the light it shines on the place of humans in the order of the world. Whether she is eating baby birds and stealing the fluff from the mother’s nest to line her boots, having a little tea party with her meager trove of possessions, temporarily living inside a tree trunk that comes with a pantry full of grubs (spiders prove less tasty), or finally coming to rest in a way neither she nor we can foresee, immersion in the girl’s experience provides a virtual vacation from civilization that readers may find deeply satisfying.
The writing is inspired, the imaginative power near mystic, but some will wish for more plot.Pub Date: Sept. 12, 2023
ISBN: 9780593418390
Page Count: 272
Publisher: Riverhead
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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by Zadie Smith ‧ RELEASE DATE: Sept. 5, 2023
Intelligent and thoughtful but not quite at this groundbreaking writer’s usual level of excellence.
An obscure English novelist and a missing-heir trial are the real historical springboards for Smith’s latest fiction.
Eliza Touchet is cousin and housekeeper to William Ainsworth, whose novel Jack Sheppard once outsold Oliver Twist but who, by 1868, has been far eclipsed by his erstwhile friend Dickens. Widower William is about to marry his maid Sarah Wells, who has borne him a child. Characteristically, he leaves the arrangements to Eliza, who manages everything about his life except the novels he keeps cranking out, which his shrewd cousin knows are dreadful. The new Mrs. Ainsworth is obsessed with the man claiming to be Sir Roger Tichborne, heir to a family fortune who was reported drowned in a shipwreck. The Claimant, as he is called, is likely a butcher from Wapping, but Sarah is one of many working-class Britons who passionately defend him as a man of the people being done wrong by the toffs. Eliza gets drawn into the trial by her fascination with Andrew Bogle, formerly enslaved by the Tichbornes in Jamaica, who recognizes the Claimant as Sir Roger. A Roman Catholic in Protestant Britain and William’s former lover who's been supplanted by a younger woman, Eliza feels a connection to Bogle as a fellow outsider. (Some pointed scenes, however, make it clear that this sense of kinship is one-sided and that well-intentioned Eliza can be as patronizing as any other white Briton.) Smith alternates the progress of the trial with Eliza’s memories of the past, which include tart assessments of William’s circle of literary pals, who eventually make clear their disdain for his work, and intriguing allusions to her affair with William’s first wife and to her S&M sex with William. (Eliza wielded the whips.) It’s skillfully done, but the minutely detailed trial scenes provide more information than most readers will want, and a lengthy middle section recounting Bogle’s African ancestry and enslaved life, though gripping, further blurs the narrative’s focus. Historical fiction doesn’t seem to bring out Smith’s strongest gifts; this rather pallid narrative lacks the zest of her previous novels’ depictions of contemporary life.
Intelligent and thoughtful but not quite at this groundbreaking writer’s usual level of excellence.Pub Date: Sept. 5, 2023
ISBN: 9780525558965
Page Count: 464
Publisher: Penguin Press
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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