by Shoba Narayan ‧ RELEASE DATE: April 22, 2003
Deficient in the cultural insights that would have enriched the memories.
In a series of color-drenched chapters accompanied by recipes, food and travel writer Narayan recalls growing up in India and studying in the US.
Place and taste take center stage, often at the expense of story, in a narrative focused as much on particular foods as on milestones in the author’s life. Born in South India, Narayan begins with the Hindu rice-eating ceremony traditionally held when a baby is six months old to mark the transition from liquids to solids. The baby is offered a mix of rice and ghee, the melted butter described in the recipe that follows as “the vegetarian’s caviar: slightly sinful, somewhat excessive, but oh so delicious.” The author describes her grandmother making vatrals and vadams before the monsoon, because these thin slices of vegetables had to dry to a crisp on the rooftop before they could be stored. At school Narayan traded lunches, even though as a vegetarian she could eat only the rice in the chicken biriyani swapped by a Muslim classmate. She recalls shopping in the produce market, visiting her grandparents, attending festivals, surviving adolescence, and achieving academic success, lyrically evoking the tastes and textures of a world where rice was still ground on a stone, pickles and chutneys were made at home, and milk was delivered daily at the door by the cow herself. Though appreciative of her heritage, Narayan wanted to study in the US, which her parents reluctantly allowed after she graduated from college. There she reveled in the freedom to study what she liked (sculpture and drama), to meet a wider range of people, and to eat (if not always enjoy) different foods. Narayan’s cooking skills stood her in good stead when she catered a dinner to raise funds for her tuition. Then her family began pressuring her to return and marry a man of their choosing; she reluctantly accepted, but imposed certain conditions.
Deficient in the cultural insights that would have enriched the memories.Pub Date: April 22, 2003
ISBN: 0-375-50756-6
Page Count: 256
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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