A sophisticated adventure novel, restless to break out, yet comfortably couched in its genre.

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AN OUTLINE OF THE REPUBLIC

Second-novelist Deb (The Point of Return, 2003), an author with great craft and potential, ventures into the militant-controlled territories of northeastern India.

Rummaging through the “morgue” of dead stories at the offices of the Calcutta newspaper where he has worked for the past ten years, reporter Amrit Singh fixes on a terrorist group’s chilling photograph of an abducted porn actress and two of her kidnappers. Hoping to emerge from “the stupor of the past seven years” at his paper and start a new life, Singh parlays the photo into an assignment from a European magazine to find the woman and learn what has become of her. With the long-distance help of Robiul, Singh’s mentor and an expert in the far-flung region of India where these terrorists operate, he works his way from cheap hotel to bus station to guard outpost and beyond, gradually submerging himself in a miasma of broken-down government and ramped-up insurgencies. The milieu, from beginning to end, has the disorder of a developing region plagued by Islamic fundamentalist violence and gang militarism, where one more disappearance is not necessarily big news. The major players are organizations with acronyms like MORLS and SLORC, but it’s the intimacy with the minor players—the aunt of the woman in the photograph, the tea salesman in the next hotel room—that gives this story its power. Deb’s style is straight-up occidental, forgoing the exotic aura of Arundhati Roy’s or Salman Rushdie’s tales. Of a small-time filmmaker in the region Singh says, “Even the barking of the dogs sounded foreign to him as he stumbled along in the cold, still half-asleep from the bus ride, so that the pine trees bleached white by the moonlight seemed like some blurred landscape from his disturbed dreams.”

A sophisticated adventure novel, restless to break out, yet comfortably couched in its genre.

Pub Date: April 15, 2005

ISBN: 0-06-050155-3

Page Count: 336

Publisher: Ecco/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2005

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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