Next book

THE PEOPLE OF THE BROKEN NECK

A powerful, moving allegory that reflects how post–9/11 missteps scarred the American soul.

In his debut novel, Zobal (The Inconvenience of the Wings, 2015) casts an empathetic eye on the unraveling of a good man, soul-damaged by war, who attempts to reclaim his home and family.

Dominick Clarke Sawyer was a U.S. Army Ranger who saw combat action in Kosovo, Iraq, and Afghanistan while his wife, Sarah, 15-year-old son, Clarke, and preteen daughter, Kingsley, remained at home in Pennsylvania. But there were ever increasing stress, uncertainties, and, later, vicious arguments when he returned home between deployments. On his last furlough, Dom awakes to find Sarah gone. He tells his children their mother will be away for a while, but soon child welfare services gets involved. The deputy sheriff is sent to visit Dom, and then he too disappears. That brings in the FBI, who only find Dom and his children gone. In strobe-light-flash chapters, Zobal follows the physically imposing, stoic, yet deeply emotional Dom as he shepherds his brood from Pennsylvania to Maine (a beautifully rendered seashore idyll) to Illinois (where an emotionally damaged girl joins them, adding a new perspective), and finally to Washington state, where Dom finds that one more pillar on which he’s built his life has collapsed. Zobal’s narrative is a powerful dissection of the damage war inflicts on soldiers and families alike. Dom is a flawed hero, but he’s portrayed with cleareyed empathy. Clarke is Dom unformed, worried, protective of his sister; Kingsley embodies fearfulness, tears, and pain yet she keeps her heart open to love. The novel is made far better by having FBI agent Charlie Basin as a second protagonist. Charlie has struggled with his inability to fully relate to his depressed college-age daughter, a struggle he sometimes sees reflected in Dom's ongoing tragedy. Zobal reveals himself to be a writer of distinctive power, especially with immersions into Dom’s fugue states and often impressionistic descriptions—"a pale fog began to gather against the ground and catch at the edges of things."

A powerful, moving allegory that reflects how post–9/11 missteps scarred the American soul.

Pub Date: Oct. 11, 2016

ISBN: 978-1-60953-135-5

Page Count: 352

Publisher: Unbridled Books

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Aug. 15, 2016

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview