A powerful, moving allegory that reflects how post–9/11 missteps scarred the American soul.

THE PEOPLE OF THE BROKEN NECK

In his debut novel, Zobal (The Inconvenience of the Wings, 2015) casts an empathetic eye on the unraveling of a good man, soul-damaged by war, who attempts to reclaim his home and family.

Dominick Clarke Sawyer was a U.S. Army Ranger who saw combat action in Kosovo, Iraq, and Afghanistan while his wife, Sarah, 15-year-old son, Clarke, and preteen daughter, Kingsley, remained at home in Pennsylvania. But there were ever increasing stress, uncertainties, and, later, vicious arguments when he returned home between deployments. On his last furlough, Dom awakes to find Sarah gone. He tells his children their mother will be away for a while, but soon child welfare services gets involved. The deputy sheriff is sent to visit Dom, and then he too disappears. That brings in the FBI, who only find Dom and his children gone. In strobe-light-flash chapters, Zobal follows the physically imposing, stoic, yet deeply emotional Dom as he shepherds his brood from Pennsylvania to Maine (a beautifully rendered seashore idyll) to Illinois (where an emotionally damaged girl joins them, adding a new perspective), and finally to Washington state, where Dom finds that one more pillar on which he’s built his life has collapsed. Zobal’s narrative is a powerful dissection of the damage war inflicts on soldiers and families alike. Dom is a flawed hero, but he’s portrayed with cleareyed empathy. Clarke is Dom unformed, worried, protective of his sister; Kingsley embodies fearfulness, tears, and pain yet she keeps her heart open to love. The novel is made far better by having FBI agent Charlie Basin as a second protagonist. Charlie has struggled with his inability to fully relate to his depressed college-age daughter, a struggle he sometimes sees reflected in Dom's ongoing tragedy. Zobal reveals himself to be a writer of distinctive power, especially with immersions into Dom’s fugue states and often impressionistic descriptions—"a pale fog began to gather against the ground and catch at the edges of things."

A powerful, moving allegory that reflects how post–9/11 missteps scarred the American soul.

Pub Date: Oct. 11, 2016

ISBN: 978-1-60953-135-5

Page Count: 352

Publisher: Unbridled Books

Review Posted Online: Aug. 3, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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