by Silvana Paternostro ‧ RELEASE DATE: Sept. 4, 2007
A conflicted memoir of bodegas, bullets and a country tearing itself apart from within.
A Colombian-born journalist returns to her homeland in an attempt to reconcile her own past and her country’s chaotic present.
Paternostro (In The Land of God and Man: Confronting Our Sexual Culture, 1998), a reporter and senior fellow at the World Policy Institute, turns her pointed journalistic skills inward to examine her own identity in the larger context of her roots in Colombia, a place revealed here as “a beautiful country with an awful history and a terrible present.” Although the author left the country in the turbulent 1980s, her identity now as much American as Latin, Colombia haunts her as she stares every morning at a map and imagines it as a corporal entity, assigning a divided body part to each of the country’s disparate regions. Paternostro takes assignments that suit her “personal inquisition,” traveling to each region to pursue stories of kidnapping, drug-running and the politics of rebellion. These, however, are mostly missions of convenience, as the author adopts the subjects of her stories for comparison against her own experiences of the country. The voices that emerge—ranging from an American soldier in the drug war who goes native, to the everyday citizens who have learned to accept gunfire and kidnapping as a part of life—are vivid and compelling characters in the author’s introspective history. There is something of a dichotomy between the Paternostro’s remembrances of her fortunate childhood as the daughter of an acclaimed economist and her reportage of the country’s violent civil war. Because of that split, her overarching themes occasionally become muddled by the accounts of current events. Yet her poetic descriptions of the country’s cultural conventions and fractured consciousness do much to enliven her account of a Colombian war that is, in the end, “brutal, sad, incoherent, and rarely resolved.” While some of these labels certainly apply to segments of the book, its graceful melancholy and conscientious reporting elevate it beyond the customary journalist’s memoir.
A conflicted memoir of bodegas, bullets and a country tearing itself apart from within.Pub Date: Sept. 4, 2007
ISBN: 978-0-8050-7605-9
Page Count: 304
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2007
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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