An astutely realized portrait of the collateral damage wrought by the pursuit of the American dream.
In Han’s remarkable debut, a misunderstanding gathers enough velocity to almost shatter the nucleus of a Chinese immigrant family in 2003 Texas.
With its motion sensors and automatic sprinklers, the Dallas suburb of Plano seems like a high-resolution version of the all-American town. Scratch the veneer, though, and you’ll see turmoil beneath the gloss. The newly arrived Chengs are a barely functional family unit. They’re not just strangers in a new land—they’re practically strangers to each other. Eleven-year-old Jack is just coming to know his family after having spent his formative years with his grandparents in Tianjin, China. Looking to pursue a doctorate in physics, Patty, Jack's mother, had emigrated first, and Liang, her photographer husband, followed shortly after. Patty’s dreams of higher education were aborted when research funding ran out and she was forced to take up work for Texas Semiconductor. After a few years, the couple saved enough money to bring Jack over. In the meantime, Annabel was born. Jack’s 6-year-old sister is a firecracker who exerts her will to ruinous effect at Plano Star Care. Lacking his wife’s pluck, Liang too has challenges to overcome: his insecurities about hailing from peasant stock and an anemic photography business. Han expertly shifts the ground under the narrative, constantly shaking the snow globe to nudge the reader's perspective away from the familiar. The restrained prose is all the more effective as it releases a Molotov cocktail during a singular moment when Jack’s desire to establish a place in his family clashes with his father’s shaky societal standing. Han’s characters are authentic, vulnerable, and utterly convincing, delivering one dynamite novel.
An astutely realized portrait of the collateral damage wrought by the pursuit of the American dream.Pub Date: Nov. 17, 2020
ISBN: 978-0-593-08605-6
Page Count: 272
Publisher: Riverhead
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
PERSPECTIVES
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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