A zany, if sometimes-excessive, novel that makes a mockery of many topical issues.
Plaster (Ticks, 2014, etc.) offers a satirical novel about political correctness in America.
When readers first meet Henryetta Hebert, a journalist for the Weekly Herald, “a small town newspaper” serving Henryetta, Oklahoma, she’s troubled. Her former high school sweetheart, the professional football player Gaylord Goodhart, has come out as gay, and he’s soon to marry one of his Dallas Cowboys teammates. She weeps after she reads the wedding announcement, recalling Gaylord as the man “who would always be the love of her life.” Meanwhile, the town of Henryetta sees itself engulfed in a controversy: Hildegard “Hilde” Bottomly, a frustrated political figure that some people describe as “a virtual Hillary Rodham Clinton doppelganger,” returns to town for her high school reunion. She’s shocked to find that the school’s team name has changed from the “Fighting Hens” to the “Golden Knights.” This stirs up a dispute about the name of the town itself, and it’s not long before this economically stagnant (“About everyone in town was equally broke”) and football-worshipping town becomes a tempest of political excitement. If the names of the townspeople are any indication, it’s a wacky tempest indeed. The book takes place very much in the now: Caitlyn Jenner, Donald Trump, and Bill O’Reilly are among the real-life figures mentioned. However, it’s the more homespun characters and their antics that shine the brightest. The book is at its best when it’s tackling thorny subjects, although the narrative does coast into extreme territory. Whether a reader finds this humorous depends greatly on his or her tolerance for such fare as a magazine article aimed at “metrosexual” men that offers a memo to Jenner: “Do not lop off that little thingy down there between your legs. Bend it like Beckham, but don’t break it!”
A zany, if sometimes-excessive, novel that makes a mockery of many topical issues.Pub Date: Dec. 8, 2015
ISBN: 978-0-9914480-5-0
Page Count: 264
Publisher: Mossik Press
Review Posted Online: Jan. 26, 2016
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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