A lifetime of thought, travel, reading, imagination and memory inform this affecting account.




The prolific journalist and historian returns with a story both geographically immense and profoundly personal.

Winchester (The Man Who Loved China: The Fantastic Story of the Eccentric Scientist Who Unlocked the Mysteries of the Middle Kingdom, 2008, etc.) offers a tale about the Atlantic Ocean that is variably genial, cautionary, lyrical, admonitory, terrifying, horrifying and inspiring. He begins with a memory from 1963—his youthful transatlantic crossing aboard the passenger liner Empress of Britain—and returns to the birth of the Atlantic, perhaps 540 million years ago, providing a John McPhee–like history of its formation and development. Winchester then looks at humans’ “infant” acquaintance with the ocean, noting that people first settled its shores about 164,000 years ago on the western coast of Africa. They soon ventured out on the ocean, then endeavored to cross it—the Irish could have done it, he says, but there’s no hard evidence. The author chronicles the stories of Leif Eriksson, John Cabot and Amerigo Vespucci, and notes that the “schoolboy” phase of the Atlantic’s life includes our attempts to understand it—to chart it, measure it, discover its mineral, vegetable and animal bounties and puzzle over its mysteries. For the “lover” phase of the Atlantic’s history, Winchester sails across centuries of literature, art and music that in some sense celebrate the ocean. The “soldier” phase involves warfare on and around the Atlantic, from the Vikings to the Falklands. The “justice” section examines maritime laws of various sorts, from fishing to trade to communication. The concluding chapters deal with the depletion and pollution of the ocean, and the author projects a tone of both dire warning and feathered hope. Throughout, Winchester sprinkles passages of personal history, none more powerful than the epilogue about Namibia’s Skeleton Coast, “a place so named because of all the skeletons, of both men and the vessels in which they had wrecked.”

A lifetime of thought, travel, reading, imagination and memory inform this affecting account.

Pub Date: Nov. 2, 2010

ISBN: 978-0-06-170258-7

Page Count: 512

Publisher: Harper/HarperCollins

Review Posted Online: July 12, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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