by Simon Winchester ‧ RELEASE DATE: Nov. 2, 2010
A lifetime of thought, travel, reading, imagination and memory inform this affecting account.
The prolific journalist and historian returns with a story both geographically immense and profoundly personal.
Winchester (The Man Who Loved China: The Fantastic Story of the Eccentric Scientist Who Unlocked the Mysteries of the Middle Kingdom, 2008, etc.) offers a tale about the Atlantic Ocean that is variably genial, cautionary, lyrical, admonitory, terrifying, horrifying and inspiring. He begins with a memory from 1963—his youthful transatlantic crossing aboard the passenger liner Empress of Britain—and returns to the birth of the Atlantic, perhaps 540 million years ago, providing a John McPhee–like history of its formation and development. Winchester then looks at humans’ “infant” acquaintance with the ocean, noting that people first settled its shores about 164,000 years ago on the western coast of Africa. They soon ventured out on the ocean, then endeavored to cross it—the Irish could have done it, he says, but there’s no hard evidence. The author chronicles the stories of Leif Eriksson, John Cabot and Amerigo Vespucci, and notes that the “schoolboy” phase of the Atlantic’s life includes our attempts to understand it—to chart it, measure it, discover its mineral, vegetable and animal bounties and puzzle over its mysteries. For the “lover” phase of the Atlantic’s history, Winchester sails across centuries of literature, art and music that in some sense celebrate the ocean. The “soldier” phase involves warfare on and around the Atlantic, from the Vikings to the Falklands. The “justice” section examines maritime laws of various sorts, from fishing to trade to communication. The concluding chapters deal with the depletion and pollution of the ocean, and the author projects a tone of both dire warning and feathered hope. Throughout, Winchester sprinkles passages of personal history, none more powerful than the epilogue about Namibia’s Skeleton Coast, “a place so named because of all the skeletons, of both men and the vessels in which they had wrecked.”
A lifetime of thought, travel, reading, imagination and memory inform this affecting account.Pub Date: Nov. 2, 2010
ISBN: 978-0-06-170258-7
Page Count: 512
Publisher: Harper/HarperCollins
Review Posted Online: July 12, 2010
Kirkus Reviews Issue: Aug. 1, 2010
HISTORY | NATURE | WORLD | GENERAL HISTORY
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by Barry Lopez ‧ RELEASE DATE: March 20, 2019
Exemplary writing about the world and a welcome gift to readers.
Distinguished natural history writer and explorer Lopez (Outside, 2014, etc.) builds a winning memoir around books, voyages, and biological and anthropological observations.
“Traveling, despite the technological innovations that have brought cultural homogenization to much of the world, helps the curious and attentive itinerant understand how deep the notion goes that one place is never actually like another.” So writes the author, who has made a long career of visiting remote venues such as Antarctica, Greenland, and the lesser known of the Galápagos Islands. From these travels he has extracted truths about the world, such as the fact that places differ as widely as the people who live in them. Even when traveling with scientists from his own culture, Lopez finds differences of perception. On an Arctic island called Skraeling, for instance, he observes that if he and the biologists he is walking with were to encounter a grizzly feeding on a caribou, he would focus on the bear, the scientists on the whole gestalt of bear, caribou, environment; if a native of the place were along, the story would deepen beyond the immediate event, for those who possess Indigenous ways of knowledge, “unlike me…felt no immediate need to resolve it into meaning.” The author’s chapter on talismans—objects taken from his travels, such as “a fist-size piece of raven-black dolerite”—is among the best things he has written. But there are plentiful gems throughout the looping narrative, its episodes constructed from adventures over eight decades: trying to work out a bit of science as a teenager while huddled under the Ponte Vecchio after just having seen Botticelli’s Venus; admiring a swimmer as a septuagenarian while remembering the John Steinbeck whom he’d met as a schoolboy; gazing into the surf over many years’ worth of trips to Cape Foulweather, an Oregon headland named by Capt. James Cook, of whom he writes, achingly, “we no longer seem to be sailing in a time of fixed stars, of accurate chronometers, and of reliable routes.”
Exemplary writing about the world and a welcome gift to readers.Pub Date: March 20, 2019
ISBN: 978-0-394-58582-6
Page Count: 592
Publisher: Knopf
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Barry Lopez ; illustrated by Barry Moser
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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