A tender, whimsical look at growth, change, and sisters.
“I’d had my suspicions for a while…that someone had replaced my sister with a girl who looked a lot like her. It had to be!”
These words spread over the opening double-page spread, which presents a small girl kneeling on the floor, surrounded by scattered photographs and gazing disconsolately at a family album. On the next page, she is in a kitchen, staring at her big sister, who “was never so tall.” The art is arresting and amusing, a skillful combination of watercolor and other media, using a limited palette. Young readers with older siblings may recognize signs of adolescence considered typical in Western society: a sudden refusal to engage in childish games; secretiveness—“even when it wasn’t close to my birthday”—new intimacy with Mum; pervasive door-slamming. One telling, funny moment occurs when the protagonist turns to her sister’s friends for clues: “but something wasn’t right with them either. And it wasn’t just that a lot of them were boys.” This passage is accompanied by a lineup of wired-in, apathetic-looking teenagers. Despite stereotyping, the book is noteworthy for taking the viewpoint of a younger sibling instead of the more common theme of a beleaguered older child. Gently humorous art and text transform a simple story into a haven for children feeling temporarily sibling-wary.
A tender, whimsical look at growth, change, and sisters. (Picture book. 4-7)Pub Date: Nov. 10, 2015
ISBN: 978-1-909263-52-9
Page Count: 40
Publisher: Flying Eye Books
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Mia recognizes that she’s been given a special treat that doesn’t come to all children whose loved ones live far away, which...
Mia makes a Christmas card to send to her faraway grandfather, although she’s afraid it won’t reach him in time.
At the Christmas market with her mother, she finds a mysterious mailbox emblazoned with the words “The Reindeer Express” and “Turn knob three times to send parcel.” Mia steps through a door to a marvelously decorated room, where a cheerful woman directs her through another door. Mia finds herself in a magical, snowy forest. A reindeer whisks her away over a moonlit harbor, past a wondrous, sparkly city, and finally to Grandpa’s home in the mountains. Rare for picture books, Grandpa is on the youngish side, with the same red hair and white skin as Mia and her mother; Mia’s glasses are another welcome feature. Stepping back through the mailbox, she finds herself back in the market and that no time has elapsed. She and her mother return home to celebrate a joyful Christmas. Die-cut pages and lift-the-flap doors—some pleasingly challenging to find—creatively provide a sense of magic throughout. The book’s delightful, quiltlike design and geometric shapes allow readers’ eyes to move easily across the pages to spot hidden doors and windows. Fir trees and onion-domed buildings decorate the northern scenes, and endpapers include maps with an arctic feel.
Mia recognizes that she’s been given a special treat that doesn’t come to all children whose loved ones live far away, which makes this title especially resonant for readers in her circumstance. (Picture book. 4-7)Pub Date: Oct. 9, 2018
ISBN: 978-1-5247-7166-9
Page Count: 32
Publisher: Doubleday
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
A quiet, warm look at the bond between grandfather and grandson.
After a visit, an African-American grandfather and grandson say farewell under a big yellow moon. Granpa tells Max it is the same moon he will see when he gets home.
This gently told story uses Max’s fascination with the moon’s ability to “tag along” where his family’s car goes as a metaphor for his grandfather’s constant love. Separating the two relatives is “a swervy-curvy road” that travels up and down hills, over a bridge, “past a field of sleeping cows,” around a small town and through a tunnel. No matter where Max travels, the moon is always there, waiting around a curve or peeking through the trees. But then “[d]ark clouds tumbled across the night sky.” No stars, no nightingales and no moon are to be found. Max frets: “Granpa said it would always shine for me.” Disappointed, Max climbs into bed, missing both the moon and his granpa. In a dramatic double-page spread, readers see Max’s excitement as “[s]lowly, very slowly, Max’s bedroom began to fill with a soft yellow glow.” Cooper uses his signature style to illustrate both the landscape—sometimes viewed from the car windows or reflected in the vehicle’s mirror—and the expressive faces of his characters. Coupled with the story’s lyrical text, this is a lovely mood piece.
A quiet, warm look at the bond between grandfather and grandson. (Picture book. 4-6)Pub Date: June 13, 2013
ISBN: 978-0-399-23342-5
Page Count: 32
Publisher: Philomel
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
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