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The Stove-Junker

With a labyrinthine, but coherent structure, this tale about an enigmatic widower turns out to be as sincere as it is dark.

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A debut drama follows an elderly man re-examining his life and beliefs as he awaits the imminent End of Days in 2012.

Somerset Garden returns to his home in Drums, Pennsylvania, shortly after the death of his wife, Nona. The couple had been living in Baltimore for more than 25 years, having abandoned Drums after their son, Cole, vanished on his 18th birthday. Somerset’s planning to renovate the old house but he’s also looking forward to the prophesied Armageddon on Dec. 21, the same day he turns 80. A former believer, he now blames a “heartless and imperfect God” for Cole’s disappearance and for a world wrought with famine, tsunamis, and other such calamities. He dives headfirst into his memories, recalling his angry, withdrawn son, who may have tried burning down a church. Even further back is the protagonist’s sadistic, hateful father, Blake, who recites Scripture while tormenting or beating Somerset and his older brother, Wally, with the latter often reveling in the parent’s savagery. Somerset’s life is filled with regret, including an inability to save his mother, Pearl, from the brutality she invariably endured. This may, however, be insights into a man’s fractured mind. He enters into frequent mental discourses with Nona and Cole, and converses with a porcelain-faced boy who, Somerset confesses, may or may not actually be in his house. The bleak, stream-of-consciousness narrative will likely have some readers questioning the legitimacy of Somerset’s recollections. The protagonist, for one, is inconsistent: unsure of his birth year but later settling on 1933, and contrarily asserting that God’s dead, absent, or a complete fabrication. Notwithstanding, Somerset is coming to terms with his past, including a fear that he’s capable of the same cruelty as his father. He isn’t reminiscing in sorrow, but audaciously confronting his failures—later scenes are both more revealing and more violent— and welcoming his potential end with open arms. Kalsi’s nonlinear approach is intelligible, with random voices in Somerset’s head easy to decipher: he’s Dutch to Nona and Pops to Cole. The author’s prose, too, is melodic, even at its strangest, like equating “misshapen country lemons” to baby squid.

With a labyrinthine, but coherent structure, this tale about an enigmatic widower turns out to be as sincere as it is dark.

Pub Date: April 21, 2015

ISBN: 978-0-9907790-6-3

Page Count: 350

Publisher: Little Feather Books

Review Posted Online: Aug. 24, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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