The mildly dishonest chief of data processing at an L.A. megabank gets a new boss and learns how dishonest you can be if you really have imagination. Stebel (Spring Thaw, 1989, etc.), who genre hops, happily returns to thrillers. Contrary to the clichÇ of computer-whiz as techno-nerd, Jack Noble draws women like flies. Sadly for them, however, Noble's mind is usually on other things. Gambling, overambitious home-building plans, a father in a nursing home, and that pesky recession have reduced Noble and his dog Roger to living out of Jack's panel truck. His plans for a little fiddle with some ghostly, interest- bearing accounts at the bank where he supervises a bevy of data- entering beauties are about to pay off, but then, worse luck, his boss commits suicide and a team of auditors and the boss's replacement storm in, kicking Jack out while they look for electronic embezzlement. Then a cute-meet with the new boss's extraordinarily attractive young wife, an amazon who carries a briefcase full of unmarked currency, puts Jack on the trail of the people he thought were trailing him. It seems the boss's wife, if she is the boss's wife, is being blackmailed, having posed for some exceptionally embarrassing photos, and the boss, if he is still the boss, is working some fiddles of his own. A thoroughly confusing situation becomes thoroughly dangerous when Jack goes to the trunk of the boss's car and finds an attractive corpse. Before he has things sorted out, Jack will lose not only his girl but his trusty dog. There will also be shocking events in a Phoenix funeral parlor. Rather slapdash but rather funny.
Pub Date: July 1, 1992
ISBN: 0-8027-1198-7
Page Count: 240
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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