by Slavenka Drakulić ‧ RELEASE DATE: Aug. 1, 1997
Widely known journalist Drakulic (The Balkan Express, 1993, etc.) tries her hand at a second novel (Holograms of Fear, 1992) with results that seem unlikely those she intended. Her tale of a love match that fulfills itself in murder and cannibalism is more risible than moving. Coming from Warsaw for graduate study in literature, 30-year-old Tereza meets—across a study table at the New York Public Library—the Brazilian JosÇ, on a three-month grant in NYC doing research on cannibalism and religion. Love at first sight (``as if my body had already surrendered to his touch'') brings the two together again, and soon they're living in Tereza's apartment, united by a love so passionate that words are unnecessary, where ``nothing but the senses exist.'' Too bad JosÇ has a wife and child—who both come from Brazil for a visit to San Francisco so that he's got to fly out to see them. Tereza follows, deciding more or less then that she'll never ``let us part''—but instead will internalize JosÇ in a union forever by killing and then eating him (there are references to the Andean plane crash whose survivors found Christian symbolism in eating their dead comrades). As Tereza plans JosÇ's death, the novel slides helplessly (``My eye was caught by a set of six large knives. . . which said `all purpose' '') toward comedy. Poor JosÇ, after ingesting vodka, pills, and being smothered, still has to be tasted and cut up for disposal (Tereza's bought an electric saw). Even then, he's still in the way (``I stood under the shower. JosÇ was still lying in the tub. Without his legs he took up only three quarters of it, so there was room for me as well. Nevertheless, I had to be careful not to step on him''). If intended as political satire or an allegory of love or madness, the point is missed, leaving just highbrow hooey. (First printing of 50,000; $50,000 ad/promo; author tour)
Pub Date: Aug. 1, 1997
ISBN: 0-14-026622-4
Page Count: 208
Publisher: Penguin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1997
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by Slavenka Drakulić & translated by Christina P. Zoric
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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