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THE RED ADDRESS BOOK

A charming, fragile romance.

Nearing the end of her days, 96-year-old Doris Alm turns the pages of her red address book, a gift from her father decades ago, lingering over names crossed through with the word “dead” etched in the margin.

Impoverished at age 13 by her father’s untimely death, Doris is sent by her mother to work as a maid for the glamorous Madame Serafin. Stunned to be thrust into the world so soon, Doris bravely embarks on the first of what will be many adventures in her life. As the third maid, Doris takes on the most unpleasant tasks, but she also meets the artist Gösta Nilsson, a man forced to hide his homosexuality even in bohemian Europe. Gösta and Doris become lifelong friends even as Doris travels with Madame to Paris, where she is sold off to Jean Ponsard and begins work as a living mannequin, modeling clothes in department stores and for magazine shoots. She meets the love of her life, Allan Smith, in the park one afternoon. A whirlwind romance ensues until suddenly Allan disappears, moving to the U.S. to care for his mother. Brokenhearted, Doris plunges into her work, which enables her to care for her younger sister, Agnes, after their mother dies, at least until war breaks out. Just as all hope seems lost, a battered, yellowed letter from Allan arrives with funds to take Doris and Agnes to America, where fresh calamities will keep them apart. In this, her debut novel, Swedish writer Lundberg has created a cast of warm characters, all conjured anew in the eyes of Doris’ great-niece, Jenny, who’s arrived to sit with Doris in her final days. Reading through Doris’ book and hearing her stories, Jenny concocts a plan to reunite the star-crossed lovers.

A charming, fragile romance.

Pub Date: Jan. 8, 2019

ISBN: 978-1-328-47301-1

Page Count: 304

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Oct. 1, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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