by Sophie Hannah ‧ RELEASE DATE: Oct. 1, 2010
Hannah (The Dead Lie Down, 2009, etc.), who understands psychological mayhem as well as Ruth Rendell and maybe even Sigmund...
Professional and personal relationships collide with the energy of supernovas.
When Naomi Jenkins’s married lover Robert fails to show up at Traveltel’s Room 11 for their regular three-hour tryst, she scurries to his house, glances in his living room window and promptly falls down in shock. His wife Juliet appears, taunts Naomi, and then says she’s done her a good turn, convincing Naomi that something dire has happened. The police, however, merely think she’s been dumped. So DS Charlie Zailer heads for a Spanish holiday with her sister, while DC Simon Waterhouse looks the other way until Naomi reappears and tells a whopper to keep him interested: that Robert raped her three years ago. In response, he agrees to visit Juliet and finds Robert in a coma, the victim of a monster thwack to his head. Meanwhile, Charlie and her sister, disgruntled, leave Spain for a Scottish B & B owned by Graham Angilley, where the plot twists and jerks into a tangle of coincidental meetings, duped women, rapes enacted for paying viewers, a plethora of lies and half-truths and, even worse, stifling silences and a discretion so traumatic that it forces Charlie into seclusion, Simon into despair, Juliet into confession and Naomi into the role of avenger.
Hannah (The Dead Lie Down, 2009, etc.), who understands psychological mayhem as well as Ruth Rendell and maybe even Sigmund Freud, is best read with a crisis counselor on speed-dial. The tight plotting and excruciatingly precise clues make for a superlatively uneasy read.Pub Date: Oct. 1, 2010
ISBN: 978-0-14-311585-4
Page Count: 368
Publisher: Penguin
Review Posted Online: Aug. 13, 2010
Kirkus Reviews Issue: Sept. 1, 2010
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by Khaled Hosseini ‧ RELEASE DATE: June 2, 2003
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...
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Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.
Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.Pub Date: June 2, 2003
ISBN: 1-57322-245-3
Page Count: 368
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
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by Khaled Hosseini ; illustrated by Dan Williams
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by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
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Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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