Madcap nights of love among the lycanthropes.
Hayter sets aside her Robin Hudson female detective series (The Chelsea Girls Murders, 2000) to profile one Annie Engel: a mousy secretary by day, a werewolf by night.
Fading newsman Sam Deverell lucks into a story about a Mad Dog Murder and a victim attacked during a full moon outside the Carnivore restaurant in the Meat-Packing District; he’s the only reporter to grab a video of the body. Werewolf Jim, a ghostwriter by day, keeps his lycanthropic changes at bay by taking doses of ketamine with an intravenous drip and sleeping during the full moon, but he’s charged up by the Meat-Packing District murder and, going off ketamine, feels euphoric. Legal secretary Annie, a vegetarian who works for Synergy Enterprises Group, wakes up with blood on her chest, meat lodged in her teeth, nausea, a meatlike lump in her vomit, her purse lost, and her window broken in (by herself). Annie also finds all her senses sharpened at work. She can hear far-off conversations beyond the normal range of hearing, and she’s developing soft blond fur all over her body. Then there’s rudeness, distemper, lack of table manners. She finds herself four-footed and scampering over rooftops. Annie the werewolf tears out throats, then leaves her dead victims, seemingly without having refreshed herself on their blood or bodies—although she does find herself feeling much better by day, despite not quite remembering what she did the night before. According to Dr. Marco Potenza, who runs a clinic for fee-paying werewolves who want to be sedated during dangerous periods of the full moon (and is himself a werewolf), Annie suffers from Lyconthropic Metamorphic Disorder. When two Syn-GEN employees are murdered by the Mad Dog Killer, Annie wonders whether she can ever have a normal life again. The climax, Operation Harvest Moon, finds wolves scampering over many roofs in a wild chase.
Madcap nights of love among the lycanthropes.Pub Date: May 1, 2003
ISBN: 1-4000-4743-9
Page Count: 320
Publisher: Three Rivers/Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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