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UNCROWNED KING

THE LIFE OF PRINCE ALBERT

A distinguished biographer of Queen Victoria demonstrates the political importance of her beloved husband. From the time of his marriage to Victoria in 1840 until his untimely death in 1861, Albert of Saxe-Coburg was never wholeheartedly accepted by the people of England. He always spoke German in private, and his public speeches were delivered in heavily accented English. A figure of fun in satirical periodicals such as Punch, he never received the civil or military honors that Victoria wanted for him. Weintraub (Disraeli, 1993; Victoria: An Intimate Biography, 1987; etc.) makes clear how much she adored him, how Albert bolstered her self-confidence, and how important their relationship was to the maintenance of the monarchy in the 19th century. Albert never usurped Victoria's role as monarch, but he took advantage of her repeated pregnancies, and of partisan shifts between Whig and Tory, to become acting monarch on occasion, and the most important adviser to the monarch on every occasion. A public figure who carved out a role as a promoter of science, technology, and educational reform, he achieved a public relations coup through his sponsorship of the famous Great Exhibition of 1851, a symbol of Britain's position as the world's dominant industrial nation. Albert's importance was underlined by Victoria's response after his death, when she put the monarchy in danger by virtually retiring from public life for nearly a decade. While establishing Albert's importance, Weintraub provides illuminating details of the private life and daily routine of the royal couple. Their strong physical attraction for each other and their mutual enthusiasm for eroticism in painting and sculpture were combined with a sincere commitment to higher moral standards at court and in public. While providing a window into the private lives of 19th- century royalty, Weintraub also makes a critical historical point about the adaptation of the monarchy to the demands of a more democratic age.

Pub Date: June 9, 1997

ISBN: 0-684-83486-3

Page Count: 464

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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