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MARGHERITA DOLCE VITA

An elegant little piece of dark comedy.

This is the first of the prolific Italian author’s novels to be published in English—a cause for celebration.

This inventive satire stars 15-year-old Margherita, as charismatic, though far wiser, than British author Sue Townsend’s popular creation Adrian Mole. She lives with her odd family on the outskirts of the city, not quite in the country, rather a place of both meadows and smog. She, with her beloved mongrel Sleepy, wiles away the days writing just the first line to assuredly brilliant novels and visiting Grandpa Socrates in the attic (he is having an affair with a ghost—Margherita can hear them dancing at night). Margherita stands in awe of her young, genius brother Erminio and the older Giacinto, a pimply football hooligan. Mother Emma is addicted to TV soaps and imaginary smoking, while father Fausto is a professional retiree who collects (and sometimes fixes) junk. A contented bunch all until Margherita’s happily imperfect idyll is altered when a black-glass cube house is built and the new neighbors move in. The Del Bene family, including a ferocious dog (even Sleepy has a rival) undergoing Pavlovian attack -training, is marked by frivolity and foolishness. In a matter of days, Margherita’s family is strikingly transformed by the Del Benes—they become a shinier, greedier, slightly drugged version (this would be Mama suffering the ill effects of cellulite cream) of their former selves, and worse yet, Papa is now partners with Frido Del Bene in the always-suspicious business of import-export. Margherita is not fooled by the perfection of their plastic grass and purified air. Though a little fat and with a bad heart, she knows it’s up to her to save her family, and all those others the Del Benes are attempting to eliminate—gypsies, immigrants, potential communists, the mentally ill and anyone else wary of the black-boot march of an insipid conformity.

An elegant little piece of dark comedy.

Pub Date: Nov. 1, 2006

ISBN: 1-933372-20-6

Page Count: 228

Publisher: Europa Editions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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