A heart-wrenching, sincere memoir weighed down by insipid revelations such as, “Everything simply was.”
During her husband’s near-fatal illness, the author reckons with faith, loss, and the meaning of existence.
Married to endurance athlete Tommy Rivers Puzey, Catudal, a freelance writer, omits his full name in her debut memoir, referring to him only as Rivs. The book begins when the author learned, at 13, that her father had terminal lung cancer. Raised in the Church of Jesus Christ of Latter-day Saints, Catudal had been “taught that god was a merit-based interventionist—one who would save me from my mortal sins if only I did my part.” However, she writes, “the more I prayed, the worse he became.” After her father’s death, the author “boxed up faith, hope, and spirituality and labeled them with a strict note to self in the archives of my mind: Rotten. Do Not Touch.” Following this tragic story, Catudal focuses on her husband’s devastating 2020 illness and, relatedly, the life-affirming lessons she’s learned by virtue of pain. When Rivs, an accomplished runner who once finished the Boston Marathon in 2 hours, 18 minutes, “a qualifying standard for Olympic trials,” became sick, he refused to go to the hospital. Eventually, he spent more than three months in the ICU (he was in an induced coma for a month), where Catudal and their three daughters’ visits were severely limited due to Covid-19 restrictions. As Rivs battled lung cancer and lymphoma, the author blogged about her experience; some of these posts are included near the book’s end. She repeatedly shares her realizations, many of which border on cliché—e.g., “Love is light—only fully realized when it is reflected”; on love, “The only thing in this world that is truly pure and purely true. And in that singularity, I found god. Which is to say, I found myself.” Catudal writes far more about Rivs’ near death than about his astonishing survival.
A heart-wrenching, sincere memoir weighed down by insipid revelations such as, “Everything simply was.”Pub Date: May 30, 2023
ISBN: 9780063253131
Page Count: 272
Publisher: HarperOne
Review Posted Online: March 8, 2023
Kirkus Reviews Issue: April 1, 2023
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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