A heart-wrenching, sincere memoir weighed down by insipid revelations such as, “Everything simply was.”
During her husband’s near-fatal illness, the author reckons with faith, loss, and the meaning of existence.
Married to endurance athlete Tommy Rivers Puzey, Catudal, a freelance writer, omits his full name in her debut memoir, referring to him only as Rivs. The book begins when the author learned, at 13, that her father had terminal lung cancer. Raised in the Church of Jesus Christ of Latter-day Saints, Catudal had been “taught that god was a merit-based interventionist—one who would save me from my mortal sins if only I did my part.” However, she writes, “the more I prayed, the worse he became.” After her father’s death, the author “boxed up faith, hope, and spirituality and labeled them with a strict note to self in the archives of my mind: Rotten. Do Not Touch.” Following this tragic story, Catudal focuses on her husband’s devastating 2020 illness and, relatedly, the life-affirming lessons she’s learned by virtue of pain. When Rivs, an accomplished runner who once finished the Boston Marathon in 2 hours, 18 minutes, “a qualifying standard for Olympic trials,” became sick, he refused to go to the hospital. Eventually, he spent more than three months in the ICU (he was in an induced coma for a month), where Catudal and their three daughters’ visits were severely limited due to Covid-19 restrictions. As Rivs battled lung cancer and lymphoma, the author blogged about her experience; some of these posts are included near the book’s end. She repeatedly shares her realizations, many of which border on cliché—e.g., “Love is light—only fully realized when it is reflected”; on love, “The only thing in this world that is truly pure and purely true. And in that singularity, I found god. Which is to say, I found myself.” Catudal writes far more about Rivs’ near death than about his astonishing survival.
A heart-wrenching, sincere memoir weighed down by insipid revelations such as, “Everything simply was.”Pub Date: May 30, 2023
ISBN: 9780063253131
Page Count: 272
Publisher: HarperOne
Review Posted Online: March 8, 2023
Kirkus Reviews Issue: April 1, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
